Charlie Gillett - Asha Bhosle/ Atlantic Records

Another Capital Radio show from 7-9-86 with guest Asha Bhosle, the Queen of Bollywood playback singers in the first half and a brief history of Atlantic Records in the second. Taken from a C60 and one side of a C90 cassette so please excuse the adverts which sometimes appear. I did try and edit on the fly back then but obviously I was busy doing something else this particular evening and let the tape run.

Wikipedia says -

"Asha Bhosle (Marathi: आशा भोसले) (born September 8, 1933) is an Indian singer. She is best known as a Bollywood playback singer, although she has a much wider repertoire. Her career started in 1943 and has spanned over six decades. She has done playback singing for over 1000 Bollywood movies and sold many records. She is the sister of playback singer Lata Mangeshkar.

Bhosle is considered one of the most versatile South Asian singers — her range of songs includes film music, pop, ghazals, bhajans, traditional Indian Classical music, folk songs, qawwalis, Rabindra Sangeets and Nazrul Geetis. She has sung in over 14 languages including Assamese, Hindi, Urdu, Telugu, Marathi, Bengali, Gujarati, Punjabi, Tamil, English, Russian, Czech, Nepali, Malay and Malayalam.

Bhosle is believed to have sung over 12,000 songs. Though her sister, Lata Mangeshkar was featured in the Guinness Book of World Records during 1974-1991, for having sung the most songs in the world, reputed sources have introduced concerns to its veracity, claiming that the Guinness counts were exaggerated and Bhosle had recorded more songs than Mangeshkar. Bhosle herself pointed out that she had made the most recordings by any singer - 12,000."


Charlie Gillett - Asha Bhosle

Charlie Gillett - Atlantic Records Pt.1

Charlie Gillett - Atlantic Records Pt.2

Geraldo & His Orchestra

Another 78 from the boot sale recently. Enjoy Yourself has been covered many times - in recent years by The Specials. I seem to remember C'est Si Bon being a big hit in the 50's but not sure who by.

Wikipedia says -

"He played piano and organ and studied at the Royal Academy of Music in London. He started his career as a pianist playing for silent films.
Geraldo became a major figure on the British entertainment scene for four decades, having fronted just about every kind of ensemble and influenced the successful careers of numerous top singers. For his broadcasts he varied the style of his orchestra quite considerably, and a particular series Tip Top Tunes (employing a full string section alongside the usual dance band) enjoyed great popularity. Several commercial recordings were made, spotlighting the considerable arranging talents of the young Wally Stott (better known in the US as Angela Morley) .
Over the years, most of the UK's top musicians played with Geraldo's orchestra, including Ted Heath, who played first trombone in the orchestra before leaving to form his own band and the guitarist Ken Sykora, later to become a respected radio personality.
In the 1950s he composed the start-up music for Scottish Television. Entitled Scotlandia, it was heard virtually every day for over thirty years at the beginning of programmes.
Geraldo died from a heart attack while on holiday in Switzerland in 1974. In 1993 a new Geraldo Orchestra, directed by trombonist Chris Dean, toured the UK provinces."


Geraldo & His Orch. - C'est Si Bon

Geraldo & His Orch. - Enjoy Yourself

The Cranes Skiffle Group - (RE-UP)

Another 78 from the boot sale today. On the Embassy label from 1957. Cranes Skiffle Group was actually Chas McDevitt and His band who had a big hit with "Freight Train" with Nancy Whiskey singing the lead vocal that same year.

"The group had already recorded 'Freight Train' for Oriole Records; thanks to the demo discs produced by their new manager, Bill Varley. Bill ran Trio Recordings, a small studio in Tin Pan Alley. It was Varley who suggested that to get an edge over the other skiffle groups they should include a girl in their line-up. Folksinger, Nancy Whiskey, who had also appeared on the Radio Luxembourg talent competition was invited to join the group. At first reluctant to give up her folksinging, she joined the boys at the end of December 1956. They re-recorded 'Freight Train' with Nancy taking the vocals. On the same session they recorded; 'Cotton Song', 'New Orleans' and 'Don't You Rock Me Daddy O'. The last track was released on Embassy records, Oriole Records' cheap subsidiary that sold in Woolworth's. They used the pseudonym 'The Cranes Skiffle Group'. 'Worried Man', originally recorded for Embassy, whilst Jimmie MacGregor was with the group, was substituted on their second Oriole release."

Discover more about Chas McDevitt HERE.


Cranes Skiffle Group - Cumberland Gap

Cranes Skiffle Group - Freight Train

Charlie Gillett - Hank Ballard/ Hamid Sagzou

Enjoyable Charlie Gillett radio show from 7-12-86 with guests Hank Ballard and Hamid Sagzou ( apologies if this spelling is wrong as it undoubtedly is!).

Wikipedia says of Hank Ballard-

"Hank Ballard (November 18, 1927 – March 2, 2003), born John Henry Kendricks, was a rhythm and blues singer, the lead vocalist of Hank Ballard and The Midnighters and one of the first proto-rock 'n' roll artists to emerge in the early 1950s. He played an integral part in the development of rock music, releasing the hit singles "Work With Me, Annie" and answer songs "Annie Had a Baby" and "Annie's Aunt Fannie" with his Midnighters. He later wrote and recorded "The Twist" and invented the dance, which was notably covered by Chubby Checker."

Read more about Hank Ballard HERE.


Charlie Gillett - Hank Ballard/Hamid Sagzou Pt. 1

Charlie Gillett - Hank Ballard/Hamid Sagzou Pt. 2

Music Hall To Variety Vol. 3

This is a great LP of old Music Hall songs from the early part of the last century. I have managed to collect all three volumes from various flea markets and bootsales over the years. The third Volume contains some droll comedy sketches which have dated rather badly but also some novelty song gems like Mary From The Dairy by Max Miller and Under The Bed by Nellie Wallace.

"Surviving recordings make it clear that few music hall stars had good voices. Like their vaudeville counterparts in the U.S., their primary qualifications were energy and personality. The best music hall performers had both in abundance. Marie Lloyd (seen at left) was one of the most beloved music hall stars. Her stage humor ranged from the wholesome to the risqué. If her trademark parasol failed to open, she would quip, "I haven't had it up for ages." One of her songs was "She Sits Among Her Cabbages and Peas" – a title that sounds less innocent than it looks. Lloyd always adapted her act to the audience at hand, winning almost universal affection. Playwright and poet T. S. Eliot explained her appeal this way –

No other comedian succeeded so well in giving expression to the life of the music hall audience, raising it to a kind of art. It was, I think, this capacity for expressing the soul of the people that made Marie Lloyd unique.
- Selected Essays by T. S. Eliot, Faber and Faber, London, 1941

After World War I, food service disappeared from the music halls, and traditional theatre seating replaced the old benches and tables. But there was still plenty of beer! Performers faced more concentrated scrutiny, which only strengthened the popularity of favorites like comic singers Florrie Forde, George Robey and Harry Champion. Most performers preferred songs with simple repetitive refrains that were easy for audiences to remember and sing along with. "

Find out more about the music hall HERE.



Gracie Fields - Rochdale Hounds

Tessie O'Shea - Two Ton Tessie

Ronald Frankau - I'd Like To Have A Honeymoon With Her

The Don Juans

Another mystery disc for an early Halloween. Found at a boot sale last year for a few pence. It sounds a bit like the Barron Knights for those firmiliar with their work. Calling it "More Monster Hits" is quite funny as they obviously never had any or anything approaching a hit. Nothing can be found about them on the internet. Bullseye seems to be a label based in the North East of England and run on a shoe string judging by the sleeve art! Other tracks include versions of Cecelia, Take These Chains From My Heart and Old Shep. The whole thing seems to have been masterminded by someone called Ray Banks who has even signed the back of the sleeve.


Don Juans - Ghost Riders

Don Juans - I Love To Go A-Wandering

Don Juans - Dracula

Charlie Gillett - Little Richard/ Danny Holder (Soca)

A two part City Limits show on Capital here from the early 80's - the first half featuring rock 'n roll pioneer Little Richard who was in London to promote a biography that had just been published. Charlie plays some of his hits and and Richard chooses a couple of his favourites including Ike & Tina Turner and Prince.
The second half of the show is Danny Holder's choice of the Soca and Calypso hits of the time including songs by Relater and Sparrow etc.

Wikipedia says of Little Richard-

"Richard Wayne Penniman (born December 5, 1932) known by the stage name Little Richard, is an American singer, songwriter, pianist and recording artist, considered key in the transition from rhythm and blues to rock and roll in the 1950s. The Rock and Roll Hall of Fame web site entry on Penniman states that:

"He claims to be “the architect of rock and roll,” and history would seem to bear out Little Richard’s boast. More than any other performer - save, perhaps, Elvis Presley, Little Richard blew the lid off the Fifties, laying the foundation for rock and roll with his explosive music and charismatic persona. On record, he made spine-tingling rock and roll. His frantically charged piano playing and raspy, shouted vocals on such classics as "Tutti Frutti", "Long Tall Sally" and "Good Golly, Miss Molly" defined the dynamic sound of rock and roll."

Penniman began his recording career in 1951 by imitating the gospel-influenced style of late-1940s jump blues artist Billy Wright, but did not achieve commercial success until 1955, when, under the guidance of Robert "Bumps" Blackwell, he began recording in a style he had been performing onstage for years, featuring varied rhythm, a heavy backbeat, funky saxophone grooves, over-the-top Gospel-style singing, moans, screams, and other emotive inflections, accompanied by a combination of boogie-woogie and rhythm and blues music. This new music, which included an original injection of funk into the rock and roll beat, inspired James Brown, Elvis Presley, Otis Redding and generations of other rhythm & blues, rock and soul music artists. He was subsequently among the seven initial inductees into the Rock and Roll Hall of Fame in 1986 and was one of only four of these honorees (along with Ray Charles, James Brown, and Fats Domino) to also receive the Rhythm and Blues Foundation's Pioneer Lifetime Achievement Award.

In October 1957, while at the height of stardom, Penniman abruptly quit rock and roll music and became a born-again Christian. In January 1958, he enrolled in and attended Bible college[8] to become a preacher and evangelist and began recording and performing only gospel music for a number of years. He then moved back and forth from rock and roll to the ministry, until he was able to reconcile the two roles in later life."


Charlie Gillett - Little Richard

Charlie Gillett - Danny Holder

Sweet & Greasy

Patchy LP on the Liberty label from 1970 . Compiled by Bob Hite of Canned Heat fame.
My favourites here are by the Pelicans who sound a bit like The Coasters. Other doo-wop type groups included are The Robins, Jewels, Crystals and the Avalons.

Wikipedia says-


"In the beginning and during its heyday, this type of music did not have a specific name; the term "doo-wop" was not used.

In the 1950s, this type of harmonized group sound was referred to (broadly) as "rock and roll," but more narrowly as "R&B." However, R&B was still too general a term, since R&B included single artists, instrumentalists, and jump blues bands, as well as vocal groups. At the time, the best and most accurate term used was probably "vocal group harmony," but the style still did not have an official name, despite the fact that it dominated the charts in the late 1950s and early 1960s. The term "doo-wop" first appeared in print in 1961, notably in the Chicago Defender, when fans of the music coined the term during the height of a vocal harmony resurgence.[citation needed]

There is confusion regarding which recording was the "first" to contain the phrase "doo-wop." There is general acknowledgement that the first hit record to use the syllables "doo-wop" in the refrain was the 1955 hit, "When You Dance" by The Turbans (Herald Records H-458), in which the chant "doo-wop" can clearly be heard. As for the very first instance ever, there are several candidates: "doo-wop" can be heard in the chorus of the 1954 song "Never" by a Los Angeles group called Carlyle Dundee & The Dundees (Space Records 201); the 1955 song "Mary Lee" by The Rainbows on Red Robin Records contains the background "do wop de wadda" and was a Washington DC regional hit on Pilgrim 703; the 1956 song "In the Still of the Night" by The Five Satins, featured the famous plaintive "doo-wop, doo-wah" refrain in the bridge; and finally, the little-known "I Belong To You" by the Fi-Tones in 1956 on the Atlas label (release #1055).

It has been erroneously reported that the phrase was coined by radio disc jockey Gus Gossert in the early 1970s. However, Gossert himself said that "doo-wop(p) was already being used [before me] to categorize the music in California." After some time,the term "doo-wop" finally caught on as a description and category for R&B vocal group harmony. Many collections that were exclusively composed of original recordings of this music were sold, all under the name of "doo wop," which became the accepted term that still is used today."


Shades - Dear Lori

Shades - One Touch Of Heaven

Pelicans - Miss Lucy

Pelicans - Down In Mexico

Sha-Weeze - You Made Me Love You

Savoys - Hopin' For Your Return

Bill Doggett

A slightly warped copy of a very scratchy LP from Brick Lane I suspect. Imagine how great a newly remastered compilation of his best stuff must sound! I'm sure there must be one around somewhere.

Wikipedia says-

"William Ballard Doggett (February 16, 1916 – November 13, 1996) was an American jazz and rhythm and blues pianist and organist.

He was born in Philadelphia, Pennsylvania. His mother, a church pianist, introduced him to music when he was 9 years old. By the time he was 15, he had joined a Philadelphia area combo, playing local theaters and clubs while attending high school.

Doggett later sold his band to Lucky Millinder, and worked during the 1930s and early 1940s for both Millinder and arranger Jimmy Mundy. In 1942 he was hired as The Ink Spots' pianist and arranger.

Toward the end of 1947, he replaced Wild Bill Davis as the pianist for Louis Jordan's Tympany Five. It was in Jordan's group that he first achieved success playing the Hammond organ. In 1950 he is reputed to have written one of Jordan's biggest hits, "Saturday Night Fish Fry", for which Jordan claimed the writing credit.

In 1951, Doggett organized his own trio and began recording for King Records. His best known recording is "Honky Tonk," a rhythm and blues hit of 1956 which sold four million copies (reaching #1 R&B and #2 Pop), and which he co-wrote with Billy Butler. He won the Cash Box award for best rhythm and blues performer in 1957, 1958, and 1959. He also arranged for many bandleaders and performers, including Louis Armstrong, Count Basie, Ella Fitzgerald, and Lionel Hampton. He continued to play and arrange until he died of a heart attack in New York City."


Bill Doggett - Oops

Bill Doggett - Stop That Twistin' In Here

Bill Doggett - I Cover The Waterfront

Bill Doggett - Lady's Choice

Bill Doggett - Mommy Pt.1 & 2

Round The Horne (RE-Up)

"Round the Horne crackled out of the nation's wirelesses Sunday afternoons from 1965, becoming one of the most popular comedies of the era until it finished in '69.

With its ground breaking mixture of innuendo, camp comedy and word play, it netted a regular audience of more than 15million listeners and was one of the best loved programmes in radio history.

A colourfully bizarre collection of characters and memorable catch phrases burst across the airwaves from the pages of its brilliantly inventive and sometimes outrageous scripts, the majority of which were written by zany duo Barry Took and Marty Feldman.

Kenneth Horne as the straight man anchored the whole careering, seething, teaming, chaotic hullabaloo emitted from the likes of J Peasemold Gruntfuttock, Rambling Syd Rumpo, Daphne Whitethigh, Shamus Android, Binkie Huckaback and Dame Celia Molestrangler (played by Betty Marsden, Hugh Paddick, Bill Pertwee and Kenneth Williams). This mad-cap bunch mercilessly sent up the establishment via a combination of bawdy jokes and surreal literary invention acted out in a series of sketches. Kenneth Williams camped his way through the script as limp-wristed Sandy, normally introduced by Hugh Paddick's character saying "Hello I'm Julian and this is my friend Sandy", making homosexual double entendres that allowed British suburbia to laugh openly about what had been strictly taboo."


Round The Horne - J. Peasmold Gruntfuttock Sings

Round The Horne - O Lucky Jim

Round The Horne - A Nice Cup Of Tea

Round The Horne - The Cucumber Song

Round The Horne - O What A Beauty

Round The Horne - Rhymes

Round The Horne - Early One Morning

Round The Horne - Among My Souvenirs

Charlie Gillett - Echoes 1984

Continuing the Charlie Gillett homage with a show from 1984 where he is the guest of Stuart Colman on the Radio London show Echoes which took the Honky Tonk slot when Charlie left in 1978.
Charlie talks about his days at Radio London, Oval Records and his book Sound Of The City which had just been re-published in a new expanded edition.
Music includes Lene Lovich, Johnny Allen and Delbert McClinton.


Charlie Gillett - Echoes Pt.1

Charlie Gillett - Echoes Pt.2

Martin Denny

Martin Denny is the King of Exotica - his first record with that name released back in the 60's that came to represent that genre of music beloved of audiophiles and lovers of strange and other worldly music that fills your head with the sounds of the jungle, far off pacific islands and distant shores. Volume 2 carries on where the first left off - " Herein Mr. Denny's imagination has gone even further afield, and with superb Spectra-Sonic Sound giving us matchless fidelity, he has further exlored the myriad tinkle of instruments foreign to our civilization, plus fresh approaches on those firmiliar to our ears."

"Denny was born in New York, and raised in Los Angeles, California. He studied classical piano and at a young age toured South America for four and a half years with the Don Dean Orchestra. This tour began Denny's fascination with Latin rhythms.
After serving in the United States Army Air Forces in World War II, Denny returned to Los Angeles where he studied piano and composition under Dr. Wesley La Violette and orchestration under Arthur Lange at the Los Angeles Conservatory of Music. He also studied at the University of Southern California.
In January of 1954, Don the Beachcomber's (which later became Duke Kahanamoku's) brought Denny to Honolulu, Hawaii. He performed here for ten years, forming his own combo in 1955 and signing to Liberty Records. The original combo consisted of Augie Colon on percussion and birdcalls, Arthur Lyman on vibes, John Kramer on string bass, and Denny on piano. Lyman soon left to form his own group and future Herb Alpert sideman and Baja Marimba founder Julius Wechter replaced him. Harvey Ragsdale later replaced John Kramer."

Discover more about Martin Denny HERE.


Martin Denny - Escales

Martin Denny - When First I Love

Martin Denny - August Bells

Martin Denny - Bacoa

Martin Denny - Ebb Tide

Martin Denny - Rush Hour In Hong Kong

Roy Smeck

A boot sale bargain from a few years back. A record on the London label from the 60's when Smeck was getting on in years but still able to prove he was "Wizard of the Strings". Look him up on YouTube - some great old film of him juggling with his uke etc. - he was quite a showman.

"You may recognize the name Roy Smeck as much for his own prolific recordings as for the dozens of guitar instruction books he issued throughout the years. Blessed with some of the most nimble fingers imaginable, Smeck's approach to music often bordered on the showy, novelty side, but he also influenced many Western swing guitarists in the process. Smeck began issuing records and appearing on Warner Bros. movie shorts during the 1920s. It was then that he introduced his unique blend of jazz, country, and Hawaiian styles, wowing anyone who heard or saw him in action. In addition to working solo, Smeck also played on sessions by country greats Vernon Dalhart and Carson Robinson and formed his own band in the '30s, the Vita Trio. It was around this time that the guitarist began issuing a stream of instructional books on everything from how to play guitar, ukulele, and Hawaiian slide guitar to banjo. After several years of minor success recording for ABC, Kapp, and other small labels, in the '70s the reissue label Yazoo released several of Smeck's virtuoso recordings from his early days, causing a whole new round of interest in the guitarist."

Discover more about Roy Smeck HERE.


Roy Smeck - Some Of These Days

Roy Smeck - The Sheik OF Araby

Roy Smeck - Drifting And Dreaming

Roy Smeck - Limehouse Blues

Roy Smeck - My Little Grass Shack

Roy Smeck - Rocking The Uke

Charlie Gillett - Fools/Rain/Calypso

This weeks celebration of Charlie Gillett's radio shows features two from the mid 80's - not sure of the actual dates, perhaps someone out there knows?
The first is another themed show called "Fools & Clowns" but Charlie admits during the show that the crucial "clown song" was left at home so mostly they are all songs about fools. It has The Alchemist written on the side of the tape but Charlie doesn't mention that on the show itself but refers to "The Rock Show", so this maybe a series I had completely forgotten about he did for Capital Radio. Maybe this Alchemists shows started around the same time? But sadly my memory isn't what it was! These old tapes ain't what they were either so please excuse the rather quiet audio and the pops, crackles and hisses.

The other show has The Alchemists written on it also and features songs on the theme of Rain. In the second half Charlie is joined by guests Flying Turkey and Scorpion who play some calypso and soca records from the West Indies - one of first intimations of Charlie's interest in World Music and a taste of things to come.


Charlie Gillett - Fools & Clowns

Charlie Gillett - Rain

Charlie Gillett - Rain/Calypso

Me Myself and Me Again

A curio I picked up for 50p in a charity shop this morning on the Antic label recorded in 1976.

On the back of the sleeve it says -

"Me Myself And Me Again is actually Vivian Fisher, a 26 year old recording engineer and frustrated musician. Despite dabbling in cornet, french horn, trombone and piano, Vivian really always wanted to play every instrument. Then. one day when recording a marching brass band in the street, he discovered the sound was actually recorded in segments as the band moved past. This gave him the idea of a multi-track recording of himself impersonating the sound and character of the different parts of the brass band - and "Blaze Away" is the result."


Me Myself Anf Me Again - Blaze Away

Me Myself And Me Again - Blaze Away (This Is How It's Done)

Lata Mangeshkar

An LP on the Angel Records label from the early 60's. Some great songs taken from Bollywood films of the 40's and 50's including Mother India, Nagin and Shabab.

Wikipedia says -

"Lata Mangeshkar (born 28th September, 1929) is a singer from India. She is one of the best-known playback singers in the Hindi film industry. Mangeshkar's career started in 1942 and has spanned over six and a half decades. She sang in over a thousand Bollywood movies and has sung songs in over twenty regional Indian languages, but primarily in Hindi. She is the elder sister of the equally accomplished singer Asha Bhosle and lesser-known singers, brother Hridayanath and sisters Usha and Meena. Lata is the second vocalist ever to have received the Bharat Ratna, India's highest civilian honour.

Lata was featured in the Guinness Book of World Records from 1974 to 1991 for having made the most recordings in the world. The claim was that she had recorded no less than 25,000 solo, duet, and chorus-backed songs in 20 Indian languages between 1948 to 1974 (30,000 songs between 1948 and 1987, according to the 1987 edition). Over the years, while several sources have supported this claim, others have raised concerns over its veracity, claiming that this number was highly exaggerated and that Lata's sister, Asha Bhosle, had more song recordings than she had."


Lata Mangeshkar - Mahfil Men Jal Uthi Shama

Lata Mangeshkar - Jiya Beqarar Hai

Lata Mangeshkar - Man Dole

Lata Mangeshkar - Chale Jana Hahin

Lata Mangeshkar - Jogan Ban Jaaoongi

Lata Mangeshkar - Nagari Nagari Duware

Soul Vendors (Re-Up)

An old LP on the Coxone label from 1967 found at a flea market some time ago. Its a bit scratched so please forgive the blips and pops.

"The Soul Vendors the group that gave us 'Rock Steady', the phrase originated by Coxone Dodd, the record producer and owner of Studio One studio. This new sound was much slower than Ska, stronger base line and a persistent shuffling rhythm together with some very fine sax and trumpet solo's, and the organ was used to greater effect. The vocal styles were very soulful, heavily influenced by the USA soul and R & B records of that period. "Rock Steady" by Alton Ellis issued in 1967 on the Treasure Isle label sums up the new style, using repeat upbeat guitar riff and the brass section answering the vocals, beautiful sax solo, even a vocal backing group, all added up to a suberb production by Duke Reid who went on to make this new sound his own. "


Soul Vendors - Give It To Me

Soul Vendors - The Raver

Soul Vendors - Everybody Knows

Soul Vendors - Give Me Little Sign

Soul Vendors - Just A Bit O' Soul

Super Biton Du Mali

I cannot honestly say where this LP on the French Tangent label came from. Probably bought in East Street market, London, back in the 90's when records like this were very plentiful. Originally released in 1983.
I could not glean much about Super Biton on the internet but I found this small snippet of information-


"Formed in 1952, this band features largely modern instrumentation (brass, guitars, drums, synths) and plays music based on traditional Bambara rhythms. They toured Europe several times in the early '80s, led by trumpet player Madaou Ba, and are one of the few big bands to survive into the '90s." ~ Steve Huey, All Music Guide


Super Biton - Waracoro

Super Biton - Kara Demba

Super Biton - Flani- N'Goni

Arthur Lyman

A Brick Lane find I think from afew years back - this 1966 recording by Arthur Lyman on the Vocalion label is essential listening , I would have thought , for fans of "exotica" and Hawaiian cocktail lounge jazz. The sleeeve notes tell us the record was made in the " acoustically near perfect Aluminum Dome on the beautiful grounds of Conrad Hilton's fabulous Hawaiian Village Hotel in Honolulu, where the Arthur Lyman Group were appearing in the Shell Bar."

"Arthur Lyman (February 2, 1932 - February 24, 2002) popularized a jazzy style of Hawaiian music during the 1950s, and gathered a following as a purveyor of so-called exotic music or Exotica. As a child, Lyman moved to the large Hawaiian city of Honolulu, where he became interested in the music of Benny Goodman and Lionel Hampton. He learned to play along with their records on a toy marimba. At the age of 14, he joined a jazz group and by his early 20s was performing with "mood music" king Martin Denny.
Known for his vibraphone stylings, bird songs and bells, Lyman helped turn exotic music into a national trend in the 1950s and 1960s, producing more than 30 albums and almost 400 singles and earning three gold albums.
In 1957, Lyman recorded "Yellow Bird," a Haitian folk song. The song made the Billboard magazine charts, peaking at #4 in 1961.
Lyman's last charting album in 1963 was I Wish You Love, but his music enjoyed a new burst of popularity in the 1990s with the easy listening revival. He died from throat cancer in February 2002."

Discover more about Arthur Lyman HERE.


Arthur Lyman - Sim Sim

Arthur Lyman - Kasumi Love Theme

Arthur Lyman - Caravan

Arthur Lyman - Akaka Falls

Hoagy Carmichael

An LP on MCA Coral from the 80's I would guess as that's when I bought it. Delightful songs that still sound great today.

Wikipedia says-

"Born in Bloomington, Indiana, Carmichael was the only son of Howard Clyde Carmichael and Lida Robison. He was named Hoagland after a circus troupe “The Hoaglands” who stayed at the Carmichael house during his mother’s pregnancy. Howard was a horse-drawn taxi driver and electrician, and Lida a versatile pianist who played accompaniment at silent movies and for parties. The family moved frequently, as Howard sought better employment for his growing family. At six, Carmichael started to sing and play the piano, absorbing easily his mother’s keyboard skills. By high school, the piano was the focus of his after-school life, and for inspiration he would listen to ragtime pianists Hank Wells and Hube Hanna. At eighteen, the small, wiry, pale Carmichael was living in Indianapolis, trying to help his family’s income working in manual jobs in construction, a bicycle chain factory, and a slaughterhouse. The bleak time was partly spelled by four-handed piano duets with his mother and by his strong friendship with Reg DuValle, black bandleader and pianist known as “the elder statesman of Indiana jazz” and “the Rhythm King”, who taught him piano jazz improvization."

Discover more about Hoagy Carmichael HERE.


Hoagy Carmichael - Lazy River

Hoagy Carmichael - Judy

Hoagy Carmichael - Stardust

Hoagy Carmichael - In The Cool,Cool,Cool of The Evening

The Ramblers Dance Band (Re-Up)

A Highlife LP on the Decca label from West Africa recorded in 1969.

The sleeve notes say-

"It is over a decade now since Decca started recording local artists in West Africa. During this stretch of time dance bands have sprouted and wilted away to die in the true tradition of musicla groups. Somehow one band has satyed around longer than most; it seems to have succeeded where others have failed. The Ramblers Dance Band, nearly eight years old, have introduced glamour to the West African Highlife scene. the band have provided it's dance fans with their highlife tunes, while for those who prefer to listen it has supplied the necessary innovations to the traditional forms."


"From its early development in Ghana through the 1970s, Highlife was Africa's first big popular music trend. Evolving from the the music of society bands and military marching bands, Highlife music re-africanized these contemporary instrumental ensembles, adding local percussion, indigenous rhythms and crafting local lyrics around powerful local themes. Highlife, named for the lifestyle of the high society Africans who were its early patrons, was the first major popular music trend in West Africa. Some of Nigeria's early highlife luminaries Bobby Benson, Cardinal Rex Lawson, EC. Arinze, Stephen Amechi, Inyang Henshaw, Celestine Ukwu and many others are still revered to this day. Though highlife lost some of its national power during the Civil War years, Highlife Heavies like Chief Stephen Osita Osadebe and Oliver DeCoque remain powerful National forces. Recentely a young generation has worked to put highlife back on the map."

Discover more about Nigerian Highlife HERE


Ramblers Dance Band - Ekombi

Ramblers Dance Band - Agyanka Dabre

Ramblers Dance Band - Ama Bonsu

Ramblers Dance Band - Nyame Ne Nyhehyee

Ramblers Dance Band - Nyame Mbere

Ramblers Dance Band - Alome

Ramblers Dance Band - Knock On Wood

Keith & Enid

I've had this in my collection for many years but can't remember where I bought it for 35p - probably a junk shop in Limehouse. One of the very first releases on Chris Blackwell's Island label in 1963. Director of music - Ernest Ranglin, who probably plays guitar on some tracks here. Excuse the very bad surface noise.

"Island records was founded in Jamaica in 1959 by Chris Blackwel, the son of a white plantation owner. The label took its name from the Alec Waugh novel 'Island In The Sun'. The early releases on the label were by West Indians and in the music styles that were later to be known as Ska, Bluebeat and Rock Steady. It looked a very good investment when one of Blackwell's first productions, "Boogie In My Bones" by the Cuban-born singer Laurel Aitken, stayed at number one on the Jamaican radio chart for eleven weeks. Blackwell opened an office at South Odeon Parade in central Kingston, Jamaica, where he expanded his artistes with recordings by Wilfred 'Jackie' Edwards and Owen Gray. Both singers were already stars on the talent show circuit; so popular that eager youths fought among themselves for the honor of carrying Jackie Edwards' sharp stage-clothes to the dressing room. By 1962 Chris Blackwell was operating from premises in Notting Hill Gate, London. He catered for the large West Indian community in London by releasing records from Jamaica on his Island label. Blackwell also reckoned that, by switching to London, he could not only continue his own productions but also provide an international platform for Island's Jamaican rivals. The company could, therefore, potentially have the pick of Jamaica's hottest records, and hopefully becoming Britain's leading Ska label."


Keith & Enid - What Have I Done

Keith & Enid - Cottonfields

Keith & Enid - Send Me

Keith & Enid - It's Only A Pity

Keith & Enid - Worried Over You

Charlie Gillett - Last Honky Tonk 1978

Acually not sure if this is the very last Honky Tonk or bits of the penultimate show and half of the final show as they are on two tapes - one a C60 and the other , one side of a C90. Anyway, I'm sure fans of Charlie will find these fascinating as I do as he plays some of the highlights of the past shows with sessions from Chas & Dave, Darts etc. and demos from Elvis Costello and Charlie Dore etc.


Charlie Gillett - Last Honky Tonk Pt. 1

Charlie Gillett - Last Honky Tonk Pt.2

Charlie Gillett - Last Honky Tonk Pt. 3

Rao Kyao

Jazzy flute player from Portugal I found at a car boot yesterday. Released on the Parlophone label back in 1977.

Wikipedia via Babelfish says-

"He was pupil of the Military College, in Lisbon. Estreou it the living creature as interpreter of saxofone tenor to the 19 years of age, having been in this phase inspired for the Jazz. It stops beyond touching in numerous clubs lisboetas, also touched in the foreigner, countries as Denmark, Spain, France and the Netherlands. It was fixed in France. In the end of the decade of 1970 it left for India, trying to redescobrir the lost link between Portuguese music and the music of the east. During this period, it studied Indiana music and flute bansuri. Of this experience, they had resulted the Goa album (1979), and new noises in its work. In 1983, it launched the album bailado Destiny, that it would come to be the first Portuguese album to arrive the platinum record. In this work, it interpreted to saxofone diverse workmanships of Amália Rodrigues, with the contribution of the master of the Portuguese guitar António Chainho. In the following year, it launched the album Road of the light, that would come to become it famous the national level for its interpretations with bamboo flute. In the year of 1996, the album to the Alive living creature returned to the destiny, recording the destiny. In 1999, it composed the official hymn of the cerimónia of the transference of sovereignty of Macau, having in this recorded scope the album Junction, with the Chinese orchestra of Macau. The Macau subject would come to return to its workmanship in 2008, in the album Interior, recorded Port in partnership with the Chinese interpreter Yanan."


Rao Kyao - Minha Em Mi

Rao Kyao - Cor De Bambu

Rao Kyao - Alto De Loba

Rao Kyao - Calipso Quarta-Feira

Charlie Gillett - Rico / City Beats 1

More old radio shows from the archive - one from 1977 with Rico Rodriguez playing some of his influences including Don Drummond and Gene Ammons. Rico now plays in Jools Holland's band but has a lengthy career in Jamaica playing on many Ska sessions in the 60's. Also a fragment of another Honky Tonk show that features short snippets of interview with Fats Domino that Martin Newman did in 1978 I think.

I had hoped to include the whole of the fist The City Beats show from 30th September 1984 butthe tape was so damaged I could only manage the last half of it before it gave up the ghost and wobbled to a halt!

Wikipedia says if Rico -


"Rodriguez was born in Kingston, Jamaica, and was taught to play the trombone by his slightly older schoolmate Don Drummond at the Alpha Boys School. In the 1950s, he became a rasta and became closely musically related to rasta drummer, Count Ossie. In 1961, he moved to the UK and started to play in reggae bands there. In 1976, he recorded the album, Man from Wareika under contract with Island Records.In the late 1970s, with the arrival of the 2 Tone genre, he played with ska revival bands such as The Specials. One of his most notable performances was on The Specials' song, "A Message to You, Rudy".

Rodriguez also helmed his own outfit, Rico and the Rudies, to yield the albums Blow Your Horn and Brixton Cat.

In 1995 Island Records released the album Roots to the Bone, an updated version of Rodriguez's earlier work, Man from Wareika.

Since 1996, amongst other engagements, he has played with Jools Holland's Rhythm and Blues Orchestra and he also performs at various ska festivals throughout Europe with his own band.

He was awarded an MBE (Member of the Order of the British Empire) at Buckingham Palace on 12 July 2007, for services to music."


Charlie Gillett - Rico

Charlie Gillett - Fats Domino

Charlie Gillett - City Beats 1

The Olympics

"The Olympics were one of the great L.A.-based acts who managed to score regional hits on the West Coast by balancing upbeat and often humorous novelty R&B tunes with those about popular dances of the day (some of the other West Coast groups who fit this description were the Jay Hawks, the Cadets/Jacks, the Marathons, and the DooTones). They are perhaps best remembered for their Coasters-derived "Western Movies," but their other L.A.-area hits include the popular dance number "Baby Hully Gully," "Big Boy Pete" (which stalled out at number 50 pop, but went to number ten R&B), and "Mine Exclusively."

The Olympics' original lineup -- raspy baritone Walter Ward (who sang lead), Eddie Lewis (tenor), Charles Fizer (baritone), and Walter Hammond (baritone) -- started out as Walter Ward & the Challengers, waxing "I Can Tell" in 1958. All three baritone leads rarely exploited their low range, preferring to sing in shrill high tones. They changed their name to the Olympics shortly thereafter, hooking up with the songwriting team of Fred Smith and Cliff Goldsmith, who wrote and produced the act's first hit in 1958 for Si Aronson's Hollywood-based Demon Records. "Western Movies," a Coasters-type novelty number, caught on quickly, right around the same time that all of America was preoccupied with Western-themed movies and TV shows. The single climbed to number eight pop and number seven R&B in 1958."

Not sure how this copy on a Brazilian label "Arvec" got to Brick Lane flea market but I'm glad it did. Some great songs on here but not quite in the same league as the Coasters who had Leiber and Stoller writing for them.


The Olympics - What'd I Say

The Olympics - Boo-Dee Green

The Olympics - Dodge City

Karl Denver

A charity shop find I think from a couple of years ago. I dont know why it's taken me this long to add Karl Denver to this blog. He had an extraordinary voice which seemed to span several octaves.

Wikipedia says -

"Denver was born in Springburn, Glasgow and was well travelled by the time he took up singing, having had a previous career in the British Merchant Navy. He also had a country music influence, having lived in Nashville, Tennessee for a short time before being deported from there as an illegal immigrant in 1959. In the US, he adopted the new name that he retained for the remainder of his singing career.
In the early 1960s he formed a trio which included Kevin Neil (b 25 July 1931, Manchester, Lancashire, d. 13 March 2010) and Gerry Cottrell (b. Gerard Cottrell, 18 December 1933, Manchester, Lancashire — d. 24 November 2006, at Trafford General Hospital, Urmston, Manchester)
Denver's song, "Never Goodbye", was an entry in A Song for Europe in 1962.
After the mid 1960s, Denver worked mainly on the cabaret circuit. However in 1989 he enjoyed a brief raise in profile after guesting on Madchester band, the Happy Mondays' single, "Lazyitis (One-Armed Boxer)", on Factory Records (FAC 222). Denver also appeared in The Happy Mondays' video for the song, although he contracted pneumonia whilst filming the video. Following this collaboration Factory released two further Denver recordings, "Wimoweh '89" (FAC 228) and "Indambinigi" (FAC 278; credited to Karl Denver and Steve Lima).
In 1993 he released his final album, Just Loving You, aimed at the country music market. By then, Denver missed almost as many notes as he hit. He was a frail man whose condition was not improved through heavy drinking. The final song he recorded was Burt Bacharach's "The Story of My Life"."


Karl Denver - Canoe Song

Karl Denver - She Moved Thro' The Fair

Karl Denver - ThreeLovely Lasses From Bannion

Karl Denver - Silver And Gold

Karl Denver - O'Brian The Brave Engineer

Charlie Gillett - "Cry Me A River" 1980's

Another upload from the Charlie Gillett archive. Long before Bob Dylan did his Theme Time Radio Hour, Charlie was doing themed shows on the radio back in the 80's. This time a Capital Radio "The Alchemists" themed show based on "Cry Me A River". The first half being crying songs and the second half devoted to river songs. Included are gems by Garnet Mimms, Billie Holiday and Jelly Roll Morton to name but a few.


Charlie Gillett - Cry Me A River

Zimbabwe Stars

Another 45 sent to me by Charlie Gillett back in the late 80's or early 90's. Cant find out much about the Zimbabwe Stars on the internet but again typical of the sparkling guitar style pop of the Bhundu Boys and the Four Brothers whose music did make waves over here in the late 80's.

Benning Eyre says -

"Zimbabwe's music also reflects the foreign music styles that filled the airwaves during the colonial years and the war years. American and African jazz had a big impact early on. Later, rock 'n' roll, Congolese rumba and South African township music held sway. After 1970, Zimbabwean musicians became more and more original in their attempts to meld local rhythms, musical moods and melodies with popular sounds from the outside. Many unique and beautiful styles of music emerged in the process.

Distinct guitar-band sounds developed, characterized by lively, independent guitar and bass lines—not unlike Kenyan benga and other East African derivatives of Congolese rumba—and sweetly harmonized vocals that many compare to the early Beatles as well as the thumping downbeat characteristic of much southern African music. Jonah Moyo and Dvera Ngwena along with John Chibadura emphasized the rumba side, while James Chimombe pressed the South African aspect.

The music, variously known as sungura, jit and just Zimbabwe rumba became the mainstay of the nation's pop-music market. By the mid-'90s, the Zimbabwe rumba torch had passed to a new team, headed up by Simon Chimbetu and Leonard Zvakata. By the turn of the century, many guitar pop legends—including Chibadura, Chimombe, the great Leonard Dembo and Robson Banda, the so called prince of chimurenga—had died, some from AIDS. Chimbetu and Zvakata remained popular, but guitar rumba is being steadily overshadowed on one side by a dramatic rise in the popularity of local gospel music and by the encroachment of American hip-hop, Jamaican and U.K. reggae and slick, urban kwaito from South Africa. These styles have begun to dominate Zimbabwean radio, still under government control.

With Zimbabwean society facing political upheaval, a dramatically failing economy, and one of the worst AIDS crises in the world, these harder-edged foreign sounds seem to strike a chord. Once again, traditions and traditional music seem to be taking a back seat, although they now have a loyal international audience and thrive in Zimbabwe both in rural settings and as a kind of underground music in cities."


Zimbabwe Stars - Fadza Customer

Zimbabwe Stars - Moto Muzhinji

Pengaudzoke

Charlie Gillett was very generous with his spare records over the years and I would get LP's or singles in the post occasionally . Once a batch of 45's from Zimbabwe from which this single from Pengaudzoke was included. I presume Charlie bought them on holiday and after listening to them he shared them out with his regular correspondents and friends. This is typical jangly guitar band style with a flavour of African thumb piano which the pop music of Zimbabwe had assimilated.

The Music Of Zimbabwe site says -

"Members have included Daiton Somanje, Josphat Somanje, Clever Somanje, Laison Ngowera, Marefura Mgowera, Lameck Fadwick.

Marondera band Pengaudzoke has been a fixture in the sungura scene since the late eighties. Since then the band has steadily risen to be one of Zimbabwe's top acts, along both the musical lines and popularity of Alick Macheso. Pengauzoke's messages often feature tales of love, poverty, and offer moral lessons, advice, and social commentary.

The band was founded by brothers Daiton and Josphat Somanje who took care of vocals and lead guitar, respectively. Poverty and the harsh reality of farm life led them to take refuge in their music and, eventually, carve out their careers. The band, whose name translates to "what goes around comes around", released their first singles in 1989, and also issued their first album, Kwatakabva Nenhamo, that same year. Despite the departure of the Ngowera Brothers (who left in 1993 to form their own band, the Twin Brothers), their success has carried on. Zvibate Pamhaka was released in 1997 to immense success and widespread critical and mass acclaim. The following year they release a greatest hits album, compiling songs from their first eight albums.

However, this wasn't enough to keep the band together. Lead guitarist Josphat Somanje left the band for a solo career, amid rumours of money disputes. He released his first solo album, Sango, in 2002. Daiton has carried on with Pengaudzoke, releasing Upile in 2002 while playing shows with major Zimbabwean artists such as Alick Macheso and Oliver Mtukudzi. "


Pengaudzoke - Tezvara Revai Pfuma

Pengaudzoke - Politics Inanga Yadunia

Charlie Gillett - Nick Hornby 16/6/95

A more recent radio show from Charlie here with guest Nick Hornby who's book High Fidelity was riding high in the book charts. Interesting "ping pong" with Nick playing some of his favourite records including Smokey Robinson and Otis Redding etc.

Wikipedia says-

"Hornby was born in Redhill, Surrey, England. Hornby's sister, Gill, is married to writer Robert Harris.He was brought up in Maidenhead and was educated at Maidenhead Grammar School and Jesus College, Cambridge. His parents divorced when he was 11.

Hornby has been married twice. He and his first wife have one son, born in 1992, who has autism. Hornby's second wife is producer Amanda Posey. They have two sons, born in 2003 and 2005.

Hornby's first published book, 1992's Fever Pitch, is an autobiographical story detailing his fanatical support for Arsenal Football Club. As a result, Hornby received the William Hill Sports Book of the Year Award. In 1997 the memoir was adapted for film in the UK and in 2005 an American remake was released, following Jimmy Fallon's obsession with the Boston Red Sox. With the book's success, Hornby began to publish articles in the Sunday Times, Time Out and the Times Literary Supplement, in addition to his music reviews for the New Yorker. High Fidelity—his second book and first novel—was published in 1995. The novel, about a neurotic record collector and his failed relationships, was adapted into a 2000 film starring John Cusack and a Broadway musical in 2006."


Charlie Gillett - Nick Hornby Pt. 1

Charlie Gillett - Nick Hornby Pt. 2

Albert Lee

My old mate Jim in Basingstoke sent this tape to me recently of a concert he attended back in 1998 at the Woolwich Tramshed in London. It's Albert Lee and his band - the first headliner gig in the UK apparently. Up until then Albert played on many sessions and in bands such as Heads Hands and Feet and The Thunderbirds.

Wikipedia says-

He grew up in Blackheath, London. His father was a musician, and Albert studied piano. During this time, like many of his age, he became a fan of Buddy Holly, and also of Jerry Lee Lewis. He took up guitar in 1958 when his parents bought him a second-hand Höfner President which he later traded in for a Czechoslovakian Grazioso, the forerunner of the Futurama. Later, he wished he had bought a Fender instead. Albert Lee left school at the age of 16, to play full-time.


Lee was with a variety of bands from 1959 onwards, playing mostly R&B, country music and rock and roll. In addition to Buddy Holly, his early guitar influences included Cliff Gallup, The Everly Brothers, Scotty Moore, James Burton and Jerry Reed. Lee first experienced commercial success as the lead guitarist with Chris Farlowe and The Thunderbirds. Lee says that he enjoyed playing the Stax-type material, but he really wanted to play country music. Consequently he left Farlowe and the Thunderbirds in 1968.
During his time playing with Heads Hands & Feet, Lee became a "guitar hero", playing his Fender Telecaster at breakneck speed.[ Heads Hands & Feet became a very popular live band in the UK, making appearances on The Old Grey Whistle Test and also in Europe, where they appeared on the German music programme Beat-Club and later performed with German bassist Georg Grimm who discovered Nasville Singer-Songwriter Sylkie Monoff."

Discover more about Albert Lee and Hogan's Heroes HERE.


Albert Lee - Woolwich Tramshed 1998

Charlie Gillett - Art Neville 1970's

Another segment of Honky Tonk radio show from back in the mid 70's when Charlie talked to Art Neville about his musical career prior to the Neville Brothers forming.
Fascinating insights into the music world of New Orleans and great records including Allen Toussaint, The Meters, Jerry Byrne and Chris Kenner.

Wikipedia says-

Art Neville (born December 17, 1937) is an American singer and keyboardist from New Orleans. Neville is a part of one of the most famous musical families of New Orleans, the Neville Brothers. He was also a founding member of The Meters, and also continues to play with the spinoff group the Funky Meters along with his son Ian on guitar. As a session musician, he has played on recordings by many notable artists from New Orleans and elsewhere, including LaBelle (on "Lady Marmalade"), Paul McCartney, Lee Dorsey, Dr. John and Professor Longhair. Art's daughter, Arthel Neville is a journalist and television personality.

Discover more about the Neville Brothers HERE

Thanks again go to John Mister who supplied this old wobbly cassette from his archive. I tried it in several tape machines and this is the best I could get!


Charlie Gillett - Art Neville 1970's

Dark City Sisters

A record I found some years ago in a remaindered record shop in East London.

"The Dark City Sisters were a group of session singers who came together to record an album and in the process popularized an innovative new style of singing. Rather than
singing a common four-part harmony, the Sisters used five parts, which created a richer tone. Sometimes known as "vocal jive," this technique was subsumed under the umbrella term "mbaqanga," meaning, literally, dumpling, and figuratively, a homegrown style. ~ Leon Jackson, All Music Guide"

It puzzles me though that there are only three ladies featured on the front cover of this sleeve? No other information found on the interweb sadly though see they have a couple of compilations available on CD on Sterns and World Curcuit records.


Dark City Sisters - Isinkwa Nofishi

Dark City Sisters - Kusa Kusile

Dark City Sisters - Ontsekisang

Dark City Sisters - Sihamba Kancane

Dark City Sisters - Pelowane

Dark City Sisters - Segametsi

The Spotnicks

"The Spotnicks was formed in Göteborg, Sweden, in 1957, by guitarist and undisputed bandleader Bo Winberg. The other members were guitarist and singer Bob Lander, drummer Ove Johansson, and bassist Björn Thein, several of whom had already played together in local rock & roll bands like the Blue Caps, Rock Teddy, and the Rebels. The first year, they performed under the name the Frazers, but soon changed it to the Spotnicks. In 1961, they were signed by Karusell and released their first singles containing mostly instrumental covers of famous songs. The selection of songs was as varied as the performance was homogenous, including titles like "Hava Nagila" and "Johnny Guitar." Later the same year, the Spotnicks toured Germany, France, and Spain and in 1962, they released the debut album The Spotnicks in London, recorded on their first trip to England. Featured on this tour were the space suits that the band would wear on-stage until 1969. "Hava Nagila" became a hit in England in 1963 and the same year, Johansson left and was replaced by Derek Skinner. The rest of the '60s meant increasing success in Europe, the U.S., and Japan, and the band even managed to compete with themselves on the Japanese charts when the Spotnicks' song "Karelia" took the first position from the Feenades' "Ajomies." The song was the same, just recorded under different titles. The Feendes were a Finland-based side project to the Spotnicks, built on Winberg and Peter Winsnes, who had joined the Spotnicks in 1965. Winberg also released less successful recordings under the name the Shy Ones. Compared to the following decades, the '60s were a relative stable period for the group when it came to the lineup. Some new members were recruited though, like drummer Jimmie Nicol, bassist Magnus Hellsberg, and drummer Tommy Tausis, who had earlier played with Tages

In 1969, the Spotnicks disbanded, but Winberg continued to record using the name until the group reunited in 1972 on request by a Japanese record company. The same year, "If You Could Read My Mind" from the album Something Like Country became a big hit in Germany. The Spotnicks would keep their popularity there for a long time, even as it faded elsewhere. Only the Japanese audience proved more faithful and accordingly, the Spotnicks located most of their tours during the '70s to these countries. After the release of Something Like Country in 1972, by many fans seen as the Spotnicks' best album, they had practically ended being a band, consisting mainly of Winberg and various session musicians."

I must apologize for the terrible condition of this record. Found at Brick Lane flea market many years ago. The sleeve photo is a classic and the music is pretty good too despite the crackles and jumps!


The Spotnicks - Orange Blossom Special

The Spotnicks - Happy Henrik's Polka

The Spotnicks - Ol' Man River

The Spotnicks - Nightcap

The Spotnicks - High Flying Scotsman

The Spotnicks - Moonshot

Charlie Gillett - Rockabilly / James Burton 1975

Two more Honky Tonk shows courtesy of John Mister who kindly sent me the remains of his HT Archive on some very cheap cassettes so please excuse the sound quality.

The first is with guests Charlie Feathers, Buddy Knox and Jack Scott in the midst of a UK Rockabilly package tour. I think they recorded a live album at the Rainbow Theatre that year which was later released. I should check my own blog as it's on here somewhere!

The second is with James Burton the session guitarist who has played with many of the great names in rock and country, including Elvis and Ricky Nelson. He was in town with the band backing Emmy Lou Harris who was touring at the time.

As usual fascinating snippets of conversation and some great records.

Wikipedia says of James Burton-

"Born in Minden, the seat of Webster Parish, Louisiana, Burton moved to Shreveport with his family in 1949. He is self-taught, and was playing guitar from his childhood.

By the time he was thirteen years old, Burton was playing guitar semi-professionally. A year later he was hired to be part of the staff band for the enormously popular Louisiana Hayride radio show in Shreveport. Burton left Shreveport for Los Angeles while in his teens after joining Ricky Nelson's band. In L.A., he made numerous recordings as a session musician. Burton created and played the guitar solo on Dale Hawkins 1957 hit song "Susie Q," a record that would become one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll."



Charlie Gillett - Rockabilly Special Pt. 1

Charlie Gillett - Rockabilly Special Pt.2

Charlie Gillett - James Burton Pt.1

Charlie Gillett - James Burton Pt.2

The Five Smith Brothers (Re-Up)

I can't believe I haven't uploaded the Five Smith Brothers before now. Very little can be gleaned from the internet about them , only that they came from Newcastle and very popular in the North East of England in the 40's and 50's.
This compilation is one of two volumes on the MWM Records label from the 80's one imagines.

"The Five Smith Brothers were Alfred, Harold, Martin, Royston, Stanley - all born prior to the end of WW1 in Newcastle. Alf Harold Stan had been professional footballers. First prof.sing appearance Gateshead 1932. All served in WW2 but Martin killed in raod accident 1946. Replaced by Ronnie Culbertson who became Ronnie Smith. On radio with Jewel & Warris in Up The Pole. 1948 Summer Season at Blackpool with J&W and Josef Locke. Royal variety Show in 1950 and also 1955 (the one at Blackpool).

Last record for Decca in 1956 - then 7 years later a record by Two Smith Brothers. (Don't know which ones) Interesting to note that in 1954 they covered Bill Haley's ABC Boogie!!"


Five Smith Brothers - Shoemaker's Serenade

Five Smith Brothers - The Cobbler

Five Smith Brothers - Hop Scotch Polka

Five Smith Brothers - Sunshine Of Your Smile

Five Smith Brothers - Goodnight Irene

Five Smith Brothers - The Thing

Charlie Gillett - Dr. Hook 1975

Charlie Gillett on the left on this photo from the Oval Records website back in the 70's when this Honky Tonk radio show was broadcast, probably in November but not absolutely sure.
Guests are the anarchic Dr. Hook whose entertaining banter enlivens a great 90 minutes with songs from Dr. Hook's new album at the time and various records that Charlie thought they might enjoy. He manages to control the proceedings pretty well considering!
Thanks go to John Mister for supplying this tape from his archive.

*Dr. Hook and the Medicine Show got their start around 1968 playing the bar circuit in and around Union City, New Jersey. Originally, they were comprised of five people, most notably Ray Sawyer on vocals and guitar and Dennis Locorriere on lead and vocals. Sawyer's trademarks were the cowboy hat and the eyepatch, the result of an automobile accident in 1967. Locorriere was bearded. Both guys were the center of the group because of their crazy antics onstage. Their energy, strange sense of humor (they once appeared as their own opening act!) alternating with the ability to pull off an emotional ballad made Dr. Hook one of the most successful bands in the 1970s, scoring 35 gold or platinum hits."


Charlie Gillett - Dr. Hook Pt.1

Charlie Gillett - Dr. Hook Pt.2

Daniel Farson presents..... (re-up)

I love this Philips International label LP recorded in 1961 at the Metropolitan Theatre , Edgeware Road in London which features a few of the very last stars of the music-hall. Sadly the Metropolitan Theatre met the fate of so many old music halls and a hotel was built where it used to stand. Daniel Farson, who used to have his own programme on TV in the 60's and also owned a pub in the East End, takes us on a short history of the genre with the help of Hetty King, Albert Whelan, Ida Barr, G.H. Elliot, Billy Danvers and Marie Lloyd Jnr.
As the sleeve notes say- " ... we are lucky that this valuable and poignant record exists to show us what music hall was all about."

Discover more about Daniel Farson HERE


Daniel Farson - Side One

Daniel Farson - Side Two

Charlie Gillett - Errol Dixon 8/1/78

Another Honky Tonk radio show with Charlie talking to Errol Dixon for the first half back in 1978. Errol started out making Ska records in Jamaica but soon began his own sould band when arriving in Britain in the mid 60's. He made his first blues record with Mike Vernon in 1967 and has continued as a boogie-woogie and blues pianist ever since, mainly touring central Europe. Errol plays some of his favourite records and chats with Charlie about his career and some of his influences which include Smiley Lewis and Dave Bartholemew.


Charlie Gillett - Errol Dixon Pt. 1

Charlie Gillett - Errol Dixon Pt.2

Butch Cage and Willie B. Thomas

An old scratchy LP I've had a for many years. I can't remember how I came by it. Its on the Folk Lyric label and recordings done in the field by Harry Oster in 1959/60.
Lovely down home guitar and fiddle playing and one can imagine them on the porch of an old shack with chickens and dogs running around. One can clearly hear African roots here especially in tunes like Foxhunt.

"The songs on the album Country Negro Jam Session were recorded in Southwestern Louisiana between 1959 and 1962, some in Angola Prison, others at house parties around Baton Rouge (the remaining 5 titles on CD reissue were recorded by Chris Strachwitz and Paul Oliver in 1960). In it’s earliest incarnation, the first 14 tracks of the 25 title program were released on Dr. Oster’s now-defunct Folk Lyric label, and then re-released on Arhoolie intact after Chris Strachwitz purchased the Folk Lyric catalog. Oster did a series of field recordings, informal jams with a group of obscure blues men and women, only one of whom, Robert Pete Williams, won fame. Otis Webster was recorded extensively by Oster in 1959 and 1960 all in Angola Prison. Many of the sides remain unissued. Willie B. Thomas (vocal & guitar) and James ‘Butch’ Cage (vocal & fiddle) make up a good part of Country Negro Jam Session. The duo’s string band music is reminiscent of Peg Leg Howell and his gang and the two play not only blues but also pop, and religious music. They also back singer/guitarist Clarence Edwards on several numbers. Butch Cage was born in 1894 near Meadville, MS, and whom Oster describes aptly in the liner notes as “a great representative of the now virtually extinct 19th century black fiddle tradition”, while Willie B. Thomas was born near Lobdell, LA in 1912."

Taken from Big Road Blues website.

Butch Cage/Willie B. Thomas - 44 Blues

Butch Cage/Willie B. Thomas - Mississippi Heavy Water

Butch Cage/Willie B. Thomas - Smokes Like Lightnin'

Butch Cage/Willie B. Thomas - Who Broke The Lock

Butch Cage/Willie B. Thomes - Foxhunt

Ivy Pete & His Limbomaniacs

An LP on the Somerset label from the late 50's when "limbo" was a big dance craze. This is a weak kind of blue-eyed calypso that was made for tourists and for playing at parties. Great kitsch sleeve though which is the only reason I bought it.
The sleeve notes don't tell us much about Ivy pete and his band but says- " Authorities say all you need for a limbo party is three poles ( two upright and one across - see sleeve ) and a group of people with strong backs "bent" on having a ball with "Ivy" Pete and the gang. We recommend you don't try the flame bit on the pole.... this is for real experts or drunks that live near the firehouse."


Ivy Pete - Jamaica Farewell

Ivy Pete - Little Brown Skin Girl

Ivy Pete - Sly Mongoose

Ivy Pete - I Adore Her