Showing posts with label calypso. Show all posts
Showing posts with label calypso. Show all posts

Wednesday, October 09, 2013

Edmundo Ros

Record found today at the Oxfam in Crewe for 99p.  Big band calypso with some nice pan playing. A bit MOR for my taste but an interesting addition to my ever growing calypso aquisitions.

Wikipedia says  -  “Edmund William Ross was born in Port of Spain, Trinidad. His mother Luisa Urquart was a teacher, thought to be descended from indigenous Caribs, and his father, William Hope-Ross, was of Scottish descent. He was the eldest of four children, having two sisters, Ruby and Eleanor, followed by a half-brother, Hugo. His parents separated after Hugo was born, and after various false steps Edmund was enrolled in a military academy. There he became interested in music and learned to play the euphonium. From 1927 to 1937 his family lived in Caracas, Venezuela.
He played in the Venezuelan Military Academy Band as well as being a tympanist in the Venezuela Symphony Orchestra. As Sue Steward noted in his obituary: "His local name, 'Edmundo Ros', launched a lasting myth that he was Venezuelan." Later he received a music scholarship from the government, and, from 1937 to 1942, studied harmony, composition and orchestration at the Royal Academy of Music. At the same time he was the vocalist and percussionist in Don Marino Baretto's band at the Embassy Club, and also recorded several sides as a sideman to Fats Waller, who was visiting London in 1938.

In August 1940, Ros formed his own rumba band, performing as Edmundo Ros and His Rumba Band. In 1941 he cut his first tracks with Parlophone, the first number being "Los Hijos de Buda". The band played regularly at the Coconut Grove club in Regent Street, attracting members of high society.
Ros's bands were always based in London nightclubs or restaurants. The first was the Cosmo Club in Wardour Street; then followed the St Regis Hotel, Cork Street, the Coconut Grove and the Bagatelle Restaurant. At the Bagatelle a visit from Princess Elizabeth and party made his name. The future queen danced in public for the first time to Edmundo's music. In later years his orchestra was often invited to play at Buckingham Palace.
By 1946 Ros owned a club, a dance school, a record company and an artistes' agency. His band grew to 16 musicians and was renamed Edmundo Ros and His Orchestra. Among his percussionists was Ginger Johnson. His number "The Wedding Samba", 1949, sold three million 78s. His album Rhythms of The South (1958) was one of the first high-quality LP stereo records: it sold a million copies. He was with Decca Records from 1944 to 1974, and altogether he made more than 800 recordings.
In 1951 Ros bought the Coconut Grove on Regent Street and in 1964 renamed it Edmundo Ros's Dinner and Supper Club. The club became popular for its atmosphere and music, but it closed in 1965, when legalised casino gambling had drawn away many of its best customers. During the 1950s and 1960s the Ros orchestra appeared frequently on BBC Radio, continuing into the early 1970s on Radio Two Ballroom.
In 1975, during Ros's seventh tour of Japan, his band's Musicians' Union shop steward tried to usurp Ros's authority by making arrangements with venues behind his back. Upon their return to the UK Ros organised a celebratory dinner after a BBC recording session and announced the disbanding of the orchestra. He destroyed almost all the charts (arrangement sheets), which conclusively ended the orchestra's existence.”

Tracks are as follows  -  1. Saturday Night  2. Panther's Going To The Moon  3. All Night Tonight  4. Granpa's Advice  5. The Sky Jackers ( Calling Habana )  6. Simple Calypso


Edmundo Ros  -  Side One

Friday, August 02, 2013

Barbados Steel Band

Rather disappointing steel band from Barbados. Was attracted by the sleeve and the 50p price tag.  A weird mixture of calypso, classics and folk songs which all sound very similar after a while.

"Steel band music originated in Trinidad & Tobago in the 1930s and spread to the rest of the Caribbean, becoming one of the sounds most associated with island music in the minds of many visitors to the region. Originally, bamboo tubes of varying sizes had been used as percussion instruments to accompany vocal songs -- mostly because of restrictions on genuine drums, designed by the white government to curtail the annual Carnival celebrations among the Afro-Caribbean and Indian (true Indian, not native American) population. Metal objects, however, produced much louder, livelier accompaniment, and so industrial leftovers -- various types of pans, containers, and drums (in the "barrel" sense of the word) -- became the new instruments of choice. Players learned that different pitches could be drawn from some of the containers, and eventually how to tune the instruments with slight modifications. By the 1940s, steel pan players were crafting instruments that could sound over a dozen pitches. Around 1946-47, steel bands discovered that discarded oil drums -- which were more sturdily constructed -- could be used to fashion excellent instruments, and by the time the '50s rolled around, steel drums made from oil containers boasted different pitches covering full chromatic octaves, plus standard concert-pitch tuning. Technical innovations and refinements continued through the rest of the decade, with ensembles trying to outdo one another at the annual Carnivals. The repertoire of steel bands grew to include not only calypso melodies, but the various styles of music broadcast on the radio -- American jazz, showtunes, and ballroom-dancing music, Latin-American dances, traditional Indian music, and European classical. When college-educated Trinidad & Tobago youth picked up on steel band music in the '50s, it achieved a new respectability among the middle and upper classes, and has remained an important part of the country's -- and the Caribbean's -- musical scene right up to the present day, even if soca has long since eclipsed steel band music in popularity."


Barbados Steel Band  -  Side One

Tuesday, March 19, 2013

Magicarib!

Nice find at charity shop today on the BOAC label from 1968.  Obviously a freebie for tourists to the Caribbean to remind them of their holidays. I particularly like the sultry calypso sounds of  Papette & The Islanders Steel Band.

Wikipedia says -


Calypso is a style of Afro-Caribbean music that originated in Trinidad and Tobago during the early to mid 20th century, and lays it roots in the West African Kaiso and the migration of Martinican planters and their slaves.
The music, which drew upon African and French influences, became the voice of the people, and was characterized by highly rhythmic and harmonic vocals, which was most often sung in a French creole and led by a griot. As calypso developed, the role of the griot (originally a similar traveling musician in West Africa) became known as a chantuelle and eventually, calypsonian. As English replaced patois (creole French) as the dominant language, calypso migrated into English, and in so doing it attracted more attention from the government. It allowed the masses to challenge the doings of the unelected Governor and Legislative Council, and the elected town councils of Port of Spain andSan Fernando. Calypso continued to play an important role in political expression, and also served to document the history of Trinidad and Tobago.
The French brought Carnival to Trinidad, and calypso competitions at Carnival grew in popularity, especially after the abolition of slavery in 1834. While most authorities stress the African roots of calypso, in his 1986 book, Calypso from France to Trinidad: 800 Years of History, that veteran calypsonian, The Roaring Lion (Rafael de Leon) asserted that calypso descends from the music of the medieval Frenchtroubadours.

Tracks are as follows  -   1.  Island In The Sun  - Ken Kirkham & The Islanders  2. Banana Boat  -  Papette & The Islanders Steelband  3.  Island Woman  -  Ken Kirkham & The Islanders  4. Dear Melanie - Cy Grant  5. Ammo Boccaio  -  Papette & The Islanders Steelband  6.  Sly Mongoose  -  Ken Kirkham& The Islanders

Magicarib  -  Side One

Wednesday, June 27, 2012

Super Calypso Hits Vol. 1

I've had a couple of requests for this one again as the old files have been deleted for some reason. A late period compilation of calypso from the West Indies on the Camille label in Barbados from 1973. Wikipedia says of Lord Melody - "Melody was born Fitzroy Alexander at San Fernando, Trinidad and Tobago, raised at an orphanage in Port of Spain, and met Alwyn Roberts (soon to become better known as Lord Kitchener) after moving to Arima while still in his teens. Roberts took him under his wing and they returned to Port of Spain, where Lord Kitchener became the leading calypso star, with Melody one of his main challengers. His popularity increased locally when Lord Kitchener emigrated to England in 1947. Melody began singing in the calypso tents in the mid 1940s and was one of the leaders of the Young Brigade tent during the 1950s and early 1960s.He also regularly toured the Caribbean. His early successes included "Berlin on a Donkey", mocking Adolf Hitler, and "Boo Boo Man". In 1954 he won Trinidad's Calypso King title with "Second Spring", and he was signed to the American Emory Cook's record label, Cook Records, in 1956. He was one of six calypsonians who were chosen to sing for Princess Margaret at the Governor's House during her visit to Trinidad in 1956; the others were Sir Galba, Mighty Dictator, Mighty Spitfire, Mighty Panther, and Lord Viper. Melody went on to compose a number of other songs that poked fun at his own appearance, such as "Creature from the Black Lagoon". His first known album was "Calypso Fiesta - Limbo In Trinidad" which was released in 1956 on Vitadisc records and was a 78RPM shellac 10" containing 8 songs including his popular Mama Look A Boo Boo. Another release "Calypso Carnival 1958" was released on Balisier records in 1958. It was a split release - the first side contained 6 Lord Melody songs (some of which didn't appear elsewhere), and the second side was composed of instrumental tracks by Cyril Diaz (whose band usually backed Melody on his recordings). Cook Records released some live tracks featuring him on their albums Jump Up Carnival and Calypso Kings And Pink Gin in 1957, which led to him recording a full album for the label the next year. His first album on cook records, Lord Melody Sings Calypso, was released in 1958, with a second album, Again! released the following year. He frequently sparred in song with the Mighty Sparrow. Rivalry between Melody and the Mighty Sparrow was recorded in the calypsos "Ten to One is Murder" and "Cowboy Sparrow". The humorous rivalry between the two calypsonians was immensely popular with audiences. Melody's third album "Calypso Through The Looking Glass" was released in 1960 and featured the infamous "Belmont Jackass" in which Melody berates Sparrow's wife. Another one of Melody's recordings, "Wau, Wau" (more commonly known as "Shame & Scandal"), became an international hit in 1962 and was recorded in the U.S., Europe and Australia. The song was a version of a song originally recorded by Sir Lancelot in 1943 with new verses written by Melody. This subsequently became the most widely known version of the song and his version was covered by The Wailers with Peter Tosh on lead vocal." Super Calypso Hits - Side One. Super Calypso Hits - Side Two.

Friday, February 10, 2012

Lord Funny (Re-UP)


A 7" single on the Antillana label from 1970 found down Brick lane market many years ago. I have a ton of these old ska, blue beat, rock steady, calypso singles that I used to collect back in the 70's and 80's. Sorting through them the other day I realised that I hadn't really listened to many of them or if I did it was just one side. Some are so scratched and warped they don't bear a second playing. I tried to find out about Lord Funny and the internet doesn't help much this time. I found a discography of "Funny" and it seems he still records under the this name and dropped the "Lord" title. Maybe he thought it sounded more up to date or snappier? I prefer Lord Funny. The B side is great too all about the dangers of not brushing your teeth!

Find out more about calypso by going HERE.


Lord Funny - Sock It To Me

Lord Funny - I Brush

Sunday, August 14, 2011

Russ Henderson


A strange mixture of styles on this Allegro Lp from 1966 I bought today at a boot sale. Mostly generic calypso but padded out with steel band and west indian drums on a couple of instrumental tracks. Also some ska thrown in for good measure.

His website says -

"Russ Henderson was born in the Belmont Neighbourhood of Port of Spain, Trinidad, in 1924. By the 1940s he had formed his own band, the Russ Henderson Quartet. The group became well known and loved throughout the island, delighting dance halls and clubs with their rhythm and soul.

Russel came to England from his home town of Port of Spain in 1951 to study piano tuning at the North London Polytechnic in Holloway Road. An agent persuaded him to form another band after hearing him play the steel pan. So, Russ Henderson and his Trinidadian Steel Band was formed and a gloomy post-war Britain lit up to the sound of the Caribbean.

Russ Henderson receiving an MBE for Services to Music

Over the coming years, Russ set about embedding Caribbean music in the British culture. He taught school children how to play steel pan and lead his band into starting the Notting Hill Carnival. He toured the country with his band, playing on television shows, in films, in clubs, at Cambridge University balls and even at Prince Andrew's 21st birthday party at Windsor Castle. He was recently knighted as MBE by Prince Charles and now in his 80s, he is still a regular performer at the jazz connisseur's 606 Club in Lots Road, Chelsea."

Tracks are -

Side One.

1. Walking The Dog
2. Coconut Woman
3. Yellow Bird
4. Stone Cold Dead In De Market
5. Peanut Vendor

Side Two.

1. Sammy Dead Oh!
2. Non Ho L'eta Per Amarti
3. Marienne
4. Jamaica Farewell
5. West Indian Drums


Russ Henderson - Side One

Russ Henderson - Side Two

Friday, March 18, 2011

Ivy Pete & His Limbomaniacs


An LP on the Somerset label from the late 50's when "limbo" was a big dance craze. This is a weak kind of blue-eyed calypso that was made for tourists and for playing at parties. Great kitsch sleeve though which is the only reason I bought it.
The sleeve notes don't tell us much about Ivy pete and his band but says- " Authorities say all you need for a limbo party is three poles ( two upright and one across - see sleeve ) and a group of people with strong backs "bent" on having a ball with "Ivy" Pete and the gang. We recommend you don't try the flame bit on the pole.... this is for real experts or drunks that live near the firehouse."

Tracks are -

1. Jamaica Farewell
2. Little Brown Skin Girl
3. Sly Mongoose
4. I Adore Her
5. Donkey Wants Water
6. Limbo Man



Ivy Pete & His Limbomaniacs - Side One

Friday, March 11, 2011

Mighty Sparrow


Another old calypso LP on the National label from the West Indies. Made in 1966.
Excuse the jumps and scratches - I think this one has been well played in the past.

Wikipedia says -

"In 1956, Sparrow won Trinidad's Carnival Road March and Calypso Monarch competitions with his most famous song, "Jean and Dinah". His prize for the latter was $40. In protest of the small sum, he wrote the song "Carnival Boycott" and attempted to organize other singers to boycott the competition. About half of the singers followed. Sparrow claims credit for succeeding improvements in the conditions of calypso and steelband musicians in Trinidad, as well as the formation of the Carnival Development Committee, a musicians' assistance organization. Sparrow refused to participate in the competition for the next three years, but he continued to perform unofficially, even winning another Road March title in 1958 with "P.A.Y.E."

Calypso music enjoyed a brief period of popularity in other parts in the world during the 1950s. Trinidadian expatriate Lord Kitchener had helped popularize calypso in England, and Sparrow also found some success there. In the United States, interest in calypso was sparked largely by Harry Belafonte's 1956 album Calypso, the first LP to sell over one million copies. In January 1958, Sparrow, along with longtime rival Lord Melody, traveled to New York City seeking access to the American music audience. Sparrow had already been recording with Balisier and Cook Records, and with Belafonte's help he also began to record for RCA Victor. He did not achieve the success he had hoped for; he said in a 2001 interview, "When nothing happened for me, I went back to England and continued on with my career."

In 1960 Sparrow returned to the Calypso Monarch competition, winning his second Kingship and third Road March title with "Ten to One Is Murder" (an autobiographical song about an incident in which Sparrow allegedly shot a man and "Mae Mae." He also began recording for his own label, National Recording. He continued to enjoy great popularity in Trinidad throughout the 1960s."

Tracks -

1. B.G. Plantain
2. Obeah Wedding
3. Papa Jack
4. Sir Garfield Sobers
5. Bikini Girl ( not uploaded - jumps!)


Mighty Sparrow - Side Two

Wednesday, March 02, 2011

King Fighter (Requested Re-Up)



Another old calypso LP from the archives found many years ago in Cheshire Street market, just off Brick Lane. This rarity is on the National label and released in the 60's one imagines though no date on the record. It comes without a sleeve so had to search the internet to find it. What a great sleeve it was too!

"King Fighter (Shurland Wilson) (March 10, 1928 - December 12, 1999)

Born in Victoria Village, on the east coast of Guyana, Wilson got his name, King Fighter, because he was a boxer known for his fancy footwork. Fighter started out as a fisherman, then a boxer, before becoming a calypso singer. He started out singing boleros and love songs before switching to calypsos.

One of his main influences was the Guyanese vaudeville singer Bill Rogers. As for calypso, his favorites were Kitch and Melody and he started singing in Guiana. However, he left and moved to Trinidad because he couldn't make a living in his native country as either a boxer or a singer.

He came to Trinidad in the Fifties and was an active performer, primarily in the OYB tent until the 1980s. He first appeared in Trinidad with fellow Guyanese calypsonian Lord Coffee in 1955 and quickly rose to be a very successful calypso singer. He was a finalist for 1957 monarchy out of the Young Brigade with Smart Woman and Dhalpourie (Indian Wedding). He was singing both his Why BG Don't Want to Federate and Animal Beauty Contest that year. He was recorded extensively on a large of record labels in the Fifties and Sixties on records issued both in British Guiana, Trinidad and in England."

Discover more about King Fighter HERE.



King Fighter - Quarkey

King Fighter - Peace

King Fighter - Beat He

King Fighter - Lovely Country

King Fighter - They Want Me

King Fighter - Wash The Plate

King Fighter - Senorita Cindy

King Fighter - You Does Come Too Soon

King Fighter - Envy

King Fighter - Dollar Bill

Lord Christo (Requested Re-Up)


Another calypso record from Brick Lane picked up in the 80's. It's on the cleverly titled Kalypso label and released in 1963.

"Christo made a living as a cabinet-maker and sang in church choirs before he became the lead singer for the John "Buddy" Williams Band in the 1940s. His calypso career began in 1952 when he appeared at Atilla the Hun's Victory Tent. He then joined the McLean Brothers and accompanied them on a tour of the USA in December 1952. He later moved over to the Young Brigade Tent in 1955. The Young Brigade Tent became the Original Young Brigade Tent (OYB) in 1956, and Christo continued to sing with the OYB until he left for Chicago, Ilinois, USA, where he appeared at various nightclubs and on television. He returned to Trinidad in 1960 and continued to sing at the OYB for the rest of his career. Although he never won a title, Christo's popular songs "Miss Universe" and "Chicken Chest" were tailor-made for steelbands and were played extensively on the road during the 1957 Carnival."

A great archive of old calypso HERE at Irwin Chusid's radio show in the last hour. Well worth a listen if you like this kind of stuff. The first couple of hours is good too!



Lord Christo - Side One

Lord Christo - Side Two

Thursday, December 16, 2010

Harry Belafonte


A recent charity shop find. Rather battered sleeve and scratched vinyl but always interesting to hear Harry's versions of old calypsos. A few well known ones here and some not so well known like Coconut Woman and Scratch Scratch which are really quite good despite the heavenly choir in the background. Not a patch on the real thing but worth a listen.

Side One - Scratch Scratch - Lucy's Door - Cordelia Brown - Don't Ever Love Me - Love, Love Alone - Coacoanut Woman.
Side Two - Haiti Cherie - Judy Drownded - Island In The Sun - Angelique - lead Man Holler.

Wikipedia says -

"Belafonte started his career in music as a club singer in New York, to pay for his acting classes. The first time he appeared in front of an audience he was backed by the Charlie Parker band, which included Charlie Parker himself, Max Roach, and Miles Davis among others. At first he was a pop singer, launching his recording career on the Roost label in 1949, but later he developed a keen interest in folk music, learning material through the Library of Congress' American folk songs archives. With guitarist and friend Millard Thomas, Belafonte soon made his debut at the legendary jazz club The Village Vanguard. In 1952 he received a contract with RCA Victor.

His first wide-release single, which went on to become his "signature" song with audience participation in virtually all his live performances, was "Matilda", recorded April 27, 1953. His breakthrough album Calypso (1956) became the first LP to sell over 1 million copies (Bing Crosby's "White Christmas" and Tennessee Ernie Ford's "Sixteen Tons", both singles, had previously surpassed the 1 million mark). The album is number four on Billboard's "Top 100 Album" list for having spent 31 weeks at number 1, 58 weeks in the top ten, and 99 weeks on the U.S. charts. The album introduced American audiences to Calypso music (which had originated in Trinidad and Tobago in the early 20th century) and Belafonte was dubbed the "King of Calypso," a title he wore with some reservations, since he had no claims to any Calypso Monarch titles."





Harry Belafonte - Side One

Harry Belafonte - Side Two

Wednesday, August 11, 2010

Mighty Sparrow


Another old calypso LP on the National label from the West Indies. Made in 1966.
Excuse the jumps and scratches - I think this one has been well played in the past.

Wikipedia says -

"In 1956, Sparrow won Trinidad's Carnival Road March and Calypso Monarch competitions with his most famous song, "Jean and Dinah". His prize for the latter was $40. In protest of the small sum, he wrote the song "Carnival Boycott" and attempted to organize other singers to boycott the competition. About half of the singers followed. Sparrow claims credit for succeeding improvements in the conditions of calypso and steelband musicians in Trinidad, as well as the formation of the Carnival Development Committee, a musicians' assistance organization. Sparrow refused to participate in the competition for the next three years, but he continued to perform unofficially, even winning another Road March title in 1958 with "P.A.Y.E."

Calypso music enjoyed a brief period of popularity in other parts in the world during the 1950s. Trinidadian expatriate Lord Kitchener had helped popularize calypso in England, and Sparrow also found some success there. In the United States, interest in calypso was sparked largely by Harry Belafonte's 1956 album Calypso, the first LP to sell over one million copies. In January 1958, Sparrow, along with longtime rival Lord Melody, traveled to New York City seeking access to the American music audience. Sparrow had already been recording with Balisier and Cook Records, and with Belafonte's help he also began to record for RCA Victor. He did not achieve the success he had hoped for; he said in a 2001 interview, "When nothing happened for me, I went back to England and continued on with my career."

In 1960 Sparrow returned to the Calypso Monarch competition, winning his second Kingship and third Road March title with "Ten to One Is Murder" (an autobiographical song about an incident in which Sparrow allegedly shot a man and "Mae Mae." He also began recording for his own label, National Recording. He continued to enjoy great popularity in Trinidad throughout the 1960s."


Mighty Sparrow - Bag Ah Sugar

Mighty Sparrow - Shanty Town People

Mighty Sparrow - Going Home Tonight

Mighty Sparrow - The Rebel

Mighty Sparrow - Honesty

Monday, April 05, 2010

Ivy Pete & His Limbomaniacs


An LP on the Somerset label from the late 50's when "limbo" was a big dance craze. This is a weak kind of blue-eyed calypso that was made for tourists and for playing at parties. Great kitsch sleeve though which is the only reason I bought it.
The sleeve notes don't tell us much about Ivy pete and his band but says- " Authorities say all you need for a limbo party is three poles ( two upright and one across - see sleeve ) and a group of people with strong backs "bent" on having a ball with "Ivy" Pete and the gang. We recommend you don't try the flame bit on the pole.... this is for real experts or drunks that live near the firehouse."


Ivy Pete - Jamaica Farewell

Ivy Pete - Little Brown Skin Girl

Ivy Pete - Sly Mongoose

Ivy Pete - I Adore Her

Friday, March 19, 2010

Calypso Carnival (Re-Up)



Scouring the archives I thought I had uploaded this one before but I couldn't find it so here it is. It was released in 60's on the Melodisc label inthe U.K. The blurb on the back of the 10" sleeve proclaims -

"In this album you not only have Calypsos in different, colourful and contrasting styles from Trinidad's leading calypsonians in The Lion's "COME PUNKSIE", a contsant favourite to George Browne, The Roving "trooperdor" singing "The Single Man", an old Jewish melody - to the Mighty Terror expressing in "Chinese Children" grave predicament with seriousness and feeling which is undoubtedly felt by many today.
Perhaps it was at this stage Meloldisc Records Ltd. decided to give "Calypso Carnival" a fuller Federal Caribbean flavour and leaving Trinidad to the South they proceeded North to Jamaica for haunting mentos by Tony Johnson and Eric Hayden - the former giving his advice and opinion on the Smarter Sex. Leaving Jamaica they go to Haiti for the Calypso Merangue "Stone Cold Man" by the Charmer. This is the current craze in the Caribbean, Norht and South America. In this you will note strong French influence, but unlike the French in "Sone Cold Man" the blame is on the wife. Please excuse the jumps and crackles. "

Discover more about calypso HERE.


Lord Kitchener - Big Toe

George Brown - Single Man

Eric Hope - Give Her The No. 1

The Lion - Come Punksie

The Charmer - Stone Cold Man

Little Nora - Tomato

The Mighty Terror - Chinese Children

Tony Johnson - Man Smart, Woman Smarter

Tuesday, June 30, 2009

The Mighty Sparrow


"Slinger Francisco, better known as The Mighty Sparrow, affectionately dubbed, The Birdie is the unrivaled Calypso King of the World, with a career that spans over 40 years and counting. This artist par excellence has earned his rightful place as "King of the Calypso World" by defeating every other competitor/pretender to his throne. He has entertained audiences across the globe, including, the Caribbean, Europe, Asia, Africa, North and South America, to name but a few.

Sparrow's roots are in Gran Roi, a rural fishing village in Grenada. He was born to a poor working class family. They migrated to his adopted homeland, Trinidad, when he was just one year old. He attended the New Town Boys School where he was selected to sing in the boys. choir of St. Patrick's Catholic Church. This was his initial involvement in music. The harmonics of the Gregorian Chants and the Plainsongs of the church that were embedded in him would later affect the depth and intensity of his compositions. His vocal abilities also reflect his childhood role as the head choirboy who sang baritone and tenor in Latin in the church."

"Maria", an early song from The Mighty Sparrow from the LP "Sparrow:Calypso King" made in the 50's.

Discover more about The Mighty Sparrow HERE.

Friday, September 05, 2008

Lord Christo - Requested Re-Up


Another calypso record from Brick Lane picked up in the 80's. It's on the cleverly titled Kalypso label and released in 1963.

"Christo made a living as a cabinet-maker and sang in church choirs before he became the lead singer for the John "Buddy" Williams Band in the 1940s. His calypso career began in 1952 when he appeared at Atilla the Hun's Victory Tent. He then joined the McLean Brothers and accompanied them on a tour of the USA in December 1952. He later moved over to the Young Brigade Tent in 1955. The Young Brigade Tent became the Original Young Brigade Tent (OYB) in 1956, and Christo continued to sing with the OYB until he left for Chicago, Ilinois, USA, where he appeared at various nightclubs and on television. He returned to Trinidad in 1960 and continued to sing at the OYB for the rest of his career. Although he never won a title, Christo's popular songs "Miss Universe" and "Chicken Chest" were tailor-made for steelbands and were played extensively on the road during the 1957 Carnival."

A great archive of old calypso HERE at Irwin Chusid's radio show in the last hour. Well worth a listen if you like this kind of stuff. The first couple of hours is good too!


Lord Christo - An Englishman

Lord Christo - Johnathan

Lord Christo - Bad Luck Man

Lord Christo - Injection

Lord Christo - Dr. Francis

Lord Christo - Obeah Man

Lord Christo - Nursery Rhyme

Lord Christo - Waheen Governor

Lord Christo - Indian Party

Lord Christo - My Brother John

Lord Christo - The Parrot

Lord Christo - Jamaica Girls


These SendSpace files are available for seven days or until exhausted.

Tuesday, September 02, 2008

King Fighter - ( Requested Re-Up )



Another old calypso LP from the archives found many years ago in Cheshire Street market, just off Brick Lane. This rarity is on the National label and released in the 60's one imagines though no date on the record. It comes without a sleeve so had to search the internet to find it. What a great sleeve it was too!

"King Fighter (Shurland Wilson) (March 10, 1928 - December 12, 1999)

Born in Victoria Village, on the east coast of Guyana, Wilson got his name, King Fighter, because he was a boxer known for his fancy footwork. Fighter started out as a fisherman, then a boxer, before becoming a calypso singer. He started out singing boleros and love songs before switching to calypsos.

One of his main influences was the Guyanese vaudeville singer Bill Rogers. As for calypso, his favorites were Kitch and Melody and he started singing in Guiana. However, he left and moved to Trinidad because he couldn't make a living in his native country as either a boxer or a singer.

He came to Trinidad in the Fifties and was an active performer, primarily in the OYB tent until the 1980s. He first appeared in Trinidad with fellow Guyanese calypsonian Lord Coffee in 1955 and quickly rose to be a very successful calypso singer. He was a finalist for 1957 monarchy out of the Young Brigade with Smart Woman and Dhalpourie (Indian Wedding). He was singing both his Why BG Don't Want to Federate and Animal Beauty Contest that year. He was recorded extensively on a large of record labels in the Fifties and Sixties on records issued both in British Guiana, Trinidad and in England."

Discover more about King Fighter HERE.


King Fighter - Warm The Plate

King Fighter - Senorita Cindy

King Fighter - You Does Come Too Soon

King Fighter - Envy

King Fighter - Dollar Bill

King Fighter - Quarkey

King Fighter - Peace

King Fighter - Beat He

King Fighter - Lovely Country

King Fighter - They Want Me


These SendSpace files are available for seven days or until exhausted.

Monday, July 07, 2008

Ivy Pete & His Limbomaniacs


An LP on the Somerset label from the late 50's when "limbo" was a big dance craze. This is a weak kind of blue-eyed calypso that was made for tourists and for playing at parties. Great kitsch sleeve though which is the only reason I bought it.
The sleeve notes don't tell us much about Ivy pete and his band but says- " Authorities say all you need for a limbo party is three poles ( two upright and one across - see sleeve ) and a group of people with strong backs "bent" on having a ball with "Ivy" Pete and the gang. We recommend you don't try the flame bit on the pole.... this is for real experts or drunks that live near the firehouse."


Ivy Pete - Jamaica Farewell

Ivy Pete - Little Brown Skin Girl

Ivy Pete - Sly Mongoose

Ivy Pete - I Adore Her

Ivy Pete - Donkey Wants Water

Ivy Pete - Limbo Man


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Tuesday, January 29, 2008

Mighty Sparrow - Calypso Maestro


This LP on the RA label was recorded in 1974 at the Caribbean Sound Studios in Trinidad. Calypso is beginning to turn into Soca ( Soul of calypso ) with its more up-tempo disco beat and use of synthsisers etc. I much prefer the earlier acoustic sound but still we have some amusing songs here despite the synthetic sounding instruments and production.

"With his ultra-sweet vocals and lyrics that speak of romance and topical politics, Mighty Sparrow (born Slinger Francisco) has risen to the upper echelon of Trinidadian calypso. Best known for his hits "Jean And Dinah" in 1956 and "Carnival Boycott" in 1957, Sparrow is an 11-time winner of the calypso monarchy and an eight-time winner of Trinidad and Tobago's Carnival Road March competition. Born to a poor working class family in Gran Roi, a small fishing village in Grenada, Sparrow moved to Trinidad at the age of one. Learning to sing in the boy's choir of St. Patrick's Catholic Church, he became the head choirboy. At the age of 14, he formed a steel band to perform at the Carnival, sparking his interest in calypso. Teaching himself to play guitar, Sparrow began to write his own songs. Winning the Carnival competition with "Jean And Dinah," he received a grand prize of 40 dollars. In protest, he wrote a scorching indictment of the Trinidadian music industry, "Carnival Boycott." Despite his refusal to compete in the Carnival contests for the next three years, Sparrow became one of the Caribbean's most successful artists."


Mighty Sparrow - Wine Back

Mighty Sparrow - Ah Diggin Horrors

Mighty Sparrow - Songs Of Your Land

Mighty Sparrow - Wife And Boat

Mighty Sparrow - Poopsin Poopsin


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Thursday, January 24, 2008

Lord Christo - Re-post by request


Another calypso record from Brick Lane picked up in the 80's. It's on the cleverly titled Kalypso label and released in 1963.

"Christo made a living as a cabinet-maker and sang in church choirs before he became the lead singer for the John "Buddy" Williams Band in the 1940s. His calypso career began in 1952 when he appeared at Atilla the Hun's Victory Tent. He then joined the McLean Brothers and accompanied them on a tour of the USA in December 1952. He later moved over to the Young Brigade Tent in 1955. The Young Brigade Tent became the Original Young Brigade Tent (OYB) in 1956, and Christo continued to sing with the OYB until he left for Chicago, Ilinois, USA, where he appeared at various nightclubs and on television. He returned to Trinidad in 1960 and continued to sing at the OYB for the rest of his career. Although he never won a title, Christo's popular songs "Miss Universe" and "Chicken Chest" were tailor-made for steelbands and were played extensively on the road during the 1957 Carnival."

A great archive of old calypso HERE at Irwin Chusid's radio show in the last hour. Well worth a listen if you like this kind of stuff. The first couple of hours is good too!


Lord Christo - Englishman

Lord Christo - Johnathan

Lord Christo - Bad Luck Man

Lord Christo - Injection

Lord Christo - Dr. Francis

Lord Christo - Obeah Beach


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