Again, not much info on the net about the Mexican Twins "Cuates Castilla". This 10' LP was found with two other latin flavoured records today. The recording was made during a visit to England in the 50's I would guess. The songs have a short explanation attached-
Viva Chile (Queca from Chile) - The Chilian compares the beauty of Chile with that of other countries, saying that although their grass may be greener, the Chilian grass is the best nevertheless. Though the country may be narrow, see how long it is, and they may not have brandy or whisky to drink but they have their local drink, Chicha, which is as good as any.
El limiabotas ( Mambo) - "The shoe-shine boy". The boy learns to dance the mambo to the rythyms of the shoe-shine.
A sale at the Help The Aged shop today- all records and tapes were 49p. I was attracted more by the colourful sleeves than the music I must admit but listening to them they do exude a certain charm. Not much to be found out about Rodriguez and His Orchestra and the sleeve notes merely state that-
"Rodriguez and His Orchestra present the authentic Latin rhythms with all their native flash and fire. The golden tone high fidelity recording gives this album realistic sound as if the boys were performing right in your home."
"Don Craine (real name Don O'Donnell) and Sutton had previously been in a Twickenham band called the Downliners. The name came from a Jerry Lee Lewis b-side that had been written by Roy Orbison. Following the end of this band, Grant (real name Keith Evans) and Gibson were recruited and the band renamed the Downliners Sect. The band soon gained a following at Eel Pie Island in Twickenham and made an EP called A Nite In Newport Street. The R&B direction of the band had been decided after seeing the Rolling Stones at the Station hotel in Richmond. Previously, the group played more rock & roll classics. The EP was recorded live and featured four R&B classics including Booker T's Green Onions. This EP is available on the See for Miles collection called The Definitive Downliners Sect Singles As and Bs. This contained the band's interpretations of R&B classics such as Green Onions and helped the Downliners Sect to secure a recording deal with EMI.
The group had initial success in Sweden where they toured and had a number one record. However, this may have meant that they neglected the UK.
Ray Sone joined the group on harmonica, apparently beating Rod Stewart and Steve Marriott for the role. The group signed to Colombia Records and, shortly after this, the first single, Baby What's Wrong was released. This failed to make the chart but did receive some attention in Europe. The group also toured with the writer of the single, Jimmy Reed. The follow-up single was a cover version of the Coasters' Little Egypt. This showed the humorous, irreverent side of the Downliners. This was also captured on the debut album which was released in 1963. The Sect is a superb collection of British R&B which, nevertheless, did not endear the band to many fans of the music as it was seen to deviate from the pure R&B. The album consisted mostly of covers but with a few original tracks written by members of the Sect. Don Craine had become quite distinctive with his trademark deerstalker hat. He had worn the hat at a gig at Studio 51 and it subsequently become part of his and the band's image."
Discover more about the Downliners Sect and other beat groups of the 60's HERE.
"Gerard Hoffnung was born in Berlin in 1925 and went to London in 1939 as a schoolboy refugee. Although he died at the early age of 34 years, he achieved in his short life enough to fill a whole series of lifetimes. Artist, teacher, cartoonist, caricaturist, musician and tuba player, broadcaster and raconteur, a much sought after speaker at the Oxford and Cambridge Unions and prison visitor, a Quaker - these were all facets of a creative personality.
In 1956 his talents combined when Hoffnung devised a concert of hilarious symphonic caricature at the Royal Festival Hall in London. Foremost composers were commissioned to write some of their wittiest and most humorous compositions, while conductors, soloists and artists submitted whole-heartedly to the unprecendented demands made upon them. Throughout the years since those performances nearly forty years ago, internationally famous orchestras have delighted in presenting gems from the Hoffnung repertoire to packed audiences. Since then, uninhibited laughter has constantly echoed as visitors file through exhibitions of the hundreds and hundreds of ingenious and absurd ideas, mostly on a musical theme, that Hoffnung illustrated with such superb artistry. His work offers no barrier to age, race or background. Success was immediate and has endured."
In 1972 David Essex/Ringo Starr made the film "That'll Be The Day" on the Isle of Wight. Billy Fury made a cameo appearance in the movie as "Stormy Tempest", a 50's holiday camp ballroom singer, more or less reflecting his own image from the early days. The movie premiered in West End in April 12th 1973 and was a huge success, as was it's soundtrack album which spent 7 weeks as No. 1 on the charts. The album contained a mixture of oldies together with some specially-recorded material, including 5 tracks by Billy. This wonky cassette is just half the double LP and has been chewed all down one side hence the poor sound quality. the Viv Stanshall track"Real Leather Jacket" I hoped to upload was completely spoiled. Stanshall is actually credited with the writing of What In The World (Shoop) that Billy Fury (Stormy Tempest) sings here and I've no Idea who Dante and the Evergreens are? They could even be Billy Fury in a different guise.
Here's a segment from a site about Steve Winwood who does some work on the soundtrack along with many others.
"An article in New Musical Express 10/28/72 described the project: "The film features the music of the times (before the Beatles). The Everly Brothers are seen in the picture, as are Viv Stanshall and Bill Fury who fronts a mythical band of the period. It is this band, known as the Stormy Tempest and the Typhoons, that is creating particular interest because of its star-studded line-up. The personnel is of a flexible nature and Keith Moon, Pete Townshend, Ron Wood, Graham Bond and John Hawkins have already been featured in soundtrack recordings. The NME learns this week that Stevie Winwood and Jack Bruce have now joined this array of musical talents."
The 2-LP soundtrack features three sides of oldies, ironically including Bobby Vee And The Crickets' version of "Well All Right", and one side of new material. The new tracks are credited to David Essex ("Rock On"), Billy Fury ("A Thousand Stars", "Long Live Rock", "That's All Right Mama", "Get Yourself Together", "What Did I Say"), Viv Stanshall ("Real Leather Jacket"), Stormy Tempest ("What In The World (Shoop)"), Eugene Wallace ("Slow Down"), and Wishfull Thinking ("It'll Be Me"). Steve did not appear in the film. To date, the album has only been re-issued on an incomplete bootleg CD. Our assessment is that Steve probably played organ on "That's All Right Mama" and "Get Yourself Together", and possibly piano on Ray Charles' "What Did I Say"."
Here's almost a whole side of this album which features several of the gang who took part in the many "Carry On" films of the 50's and 60's. None of these were culled from the soundtracks of the films which sadly didnt include much music despite many of the stars producing novelty songs, some of which reached the lower reaches of the "hit parade". Heres a segment of the blurb on the back of this Music For Pleasure release from the early 70's-
" In 1958, a Bristish comedy film starrinf among others William Hartnell and Bob Monkhouse and titled "Carry On Sergeant" unobtrusively started off a whole chain of box-office smashes....On this album we have gathered together 8 of the successful list of comedians and comediennes who have contributed to this series..... When "A Funny Thing Happened on the Way to the Forum" came to the West End stage, Frankie Howard was given the leading role. His very individual form of comedy patter has become a landmark in British entertainment, most recently in the BBC TV series "Up Pompeii".
Surprisingly, 1971 had found Kenneth Willimas starring on the London stage opposite that great actress Ingrid Bergman. The tracks included here feature him in his acclaimed role of Rambling Syd Rumpo, a character from the radio series "Round The Horne"."
"The term "Polynesia" was first coined by Charles de Brosses in 1756, and originally applied to all the islands of the Pacific. Jules Dumont d'Urville in an 1831 lecture to the Geographical Society of Paris proposed a restriction on its use, and also introduced the terms Micronesia and Melanesia. This division into three distinct Pacific subregions remains in widespread use today. Geographically, Polynesia may be described as a triangle with its three corners at Hawai'i, New Zealand, and Easter Island. The other main island groups located within the Polynesian triangle are Samoa, Tonga, and the various island chains that form French Polynesia. However, in essence it is an anthropological term referring to one of the three parts of Oceania (the others being Micronesia and Melanesia) whose pre-colonial population generally belongs to one ethno-cultural family as a result of centuries of maritime migrations. Then westerners came (more maritime migrations) and alternately abused and enslaved and intermingled with the population."
This record on the Crown label in California features Harry Baty, Sam Kaapuni, Bob Nichols and Joe Keava.
"One of the most popular novelty artists of all time, Ray Stevens enjoyed a remarkably long career, with a stretch of charting singles -- some of them major hits -- that spanned four decades. Unlike parody king Weird Al Yankovic, Stevens made most of his impact with original material, often based on cultural trends of the day. Yet his knack for sheer silliness translated across generations, not to mention countless compilations and special TV offers. Stevens was a legitimately skilled singer and producer who also performed straight country and pop, scoring the occasional serious hit. But in general, comic novelty songs were his bread and butter, and his brand of humor somehow managed to endure seismic shifts in popular taste and style.Stevens was born Harold Ray Ragsdale on January 24, 1939, in the small town of Clarkdale, GA. He started piano lessons at age six and formed a band at 15 called the Barons, which played at local venues and social events. At 17, he moved to Atlanta and caught on with radioman Bill Lowery's music publishing company; one of his songs, "Silver Bracelet," got him a shot at recording for Capitol subsidiary Prep, but the single never hit outside of Atlanta. Stevens enrolled at Georgia State University to study classical piano and music theory and in the meantime continued to record for Lowery's NRC label. One of his earliest novelty songs, 1960's "Sgt. Preston of the Yukon," was building a national buzz until a copyright infringement suit took it off the racks. Stevens began performing regularly on a radio show called The Georgia Jubilee, which helped lead to a job with Mercury Records as a session musician, arranger, and A&R assistant. Meanwhile, in 1961, he landed his first Top 40 hit with the novelty (obviously) song "Jeremiah Peabody's Poly Unsaturated Quick Dissolving Fast Acting Pleasant Tasting Green and Purple Pills."
I found this LP today in a charity shop in Chester for a pound. Recorded I imagine in the 60's it has a few standards that have been given the "merseybeat" treatment and are pretty awful compared with his other hits of that time. I do like the strange Coasters influenced song though called " Cholly-Wolly-Chang" which is much more in the vein of "Bridget The Midget" and "The Streak" and other novelty songs he did so well.
"After a series of low-key UK school bands, Robert Lloyd (b. 1959, Cannock, Staffordshire, England) formed the Prefects - one of the earliest punk bands - who toured with the Clash. They split up in 1979 and Lloyd assembled the Nightingales using the best of the musicians who had passed through the ranks of the Prefects. The first of many subsequent line-ups comprised Lloyd, Alan and Paul Apperley, Joe Crow and Eamonn Duffy. They were ably championed by BBC Radio 1 disc jockey John Peel, for whom Lloyd recorded more sessions under various guises than any other artist. The Nightingales' debut single, "Idiot Strength", was released in 1981 on the band's own Vindaloo label in association with Rough Trade Records. Joe Crow then departed and his replacements, Nick Beales and Andy Lloyd, brought a totally different sound to the band. Cherry Red Records picked them up and the band's career began in earnest. Lloyd soon established himself as one of the more interesting lyricists on the independent chart. Most of his tirades were draped in humour: "I'm too tired to do anything today, but tomorrow I'll start my diet, and answer some of my fan mail ('Elvis: The Last Ten Days'). The lack of success of subsequent releases led Lloyd and friends to the new Red Flame label started by Dave Kitson, the promoter of the Moonlight Club in London's Hampstead. Still unhappy with the way record companies were handling his band's career, Lloyd decided to reactivate the Vindaloo label. Ironically, this led to the demise of the Nightingales as Lloyd needed to spend more time as songwriter, producer and label boss for his relatively successful roster of artists such as We've Got A Fuzzbox And We're Gonna Use It and comedian Ted Chippington. When Fuzzbox toured America, taking the Nightingales' keyboard player with them, Lloyd dissolved the band and concentrated on a solo career. The Nightingales" legacy was wrapped up in 1991 with a compilation album for Mau Mau Records with sleeve-notes written by a still devoted John Peel."
A cassette from 1986 that I found down Brick Lane market I think. The Nightingales, Fuzzbox etc. help Ted out on the first rendition of "Rocking With Rita" and the second version is by Ted on his own. I used to have a wonderful version of him doing Dion's "The Wanderer" but I can't find it.
"The Kursaal Flyers bridged the gap between pub rock and power pop, turning out a handful of fine albums and great singles in their brief two-year career. Comprised of Paul Shuttleworth (vocals), Graeme Douglas (guitar), Vic Collins (guitar, steel guitar, vocals), Riche Bull (bass, vocals), and Will Birch (drums), the band released their first album, Chocs Away, in 1975; it was followed soon afterward by The Great Artiste. Both records showed a grasp of country and roots rock, as well as pure pop. They would begin to emphasize their pop elements with 1976's Golden Mile, released by CBS Records. The union with the major label helped the single "Little Does She Know" reach the British Top 20. Douglas left to join Eddie & the Hot Rods before the recording of their final album, Five Live Kursaals (1977); he was replaced by Barry Martin. The band broke up after the release of punk- and power pop-injected Five Live Kursaals. Out of the members, only Will Birch and John Wicks stayed active -- they formed the Records immediately after the Kursaal Flyers' disbandment. The Kursaal Flyers reunited in 1988, recording A Former Tour de Force Is Forced to Tour, which picks up right where they left off in 1977."
"Terence Milligan was in fact born on 16th April 1918 and was educated at the Convent of Jesus and Mary in Poona, where his father was serving in the British Army. In 1933 the family moved to England and young Milligan attended London Polytechnic in Lewisham. Within months of the outbreak of World War ll Spike volunteered for active service and joined the 56 Heavy Artillery. He survived the successful campaign in North Africa but was wounded at Salerno in Italy during an assault on Monte Cassino in January 1944, and also suffered severe shellshock. No longer suitable for active service, Milligan, on his recovery was transferred to the Army Welfare's General Pool of Artists. He was a musician and played in the Bill Hall Trio and it was here that he met Leading Bombardier Harry Secombe who at that time was doing a comedy act, and the two became firm friends.
After the war Milligan decided to go solo but apart from getting the occasional engagement he was unable to make a major breakthrough as a jazz musician. In order to support himself Milligan worked behind the bar at Jimmy Grafton's pub in Victoria, London. The Grafton Arms has often been described as a 'hotbed of eager ex-Forces writing and performing talent' and Grafton himself was employed as a scriptwriter for comedian Derek Roy's radio show. Milligan began to contribute bits and pieces for the show including a number of sketches that he himself described as "way out things which were consistently cut out." However, the rejected items appealed to Harry Secombe and he in turn brought them to the attention of two other Grafton Arms frequenters, Peter Sellers and Michael Bentine. Together with Milligan they wrote a series of sketches which they offered to the BBC. On May 28th 1951 they broadcast their first series of shows under the title of The Crazy People."
Find out more about Spike Milligna ( the famous typing error) HERE.
" As a country, Colombia encompasses many physically different regions --- there are the islands of San Andrés, Providencia, the Islas del Rosario and San Bernado in the Caribbean and Gorgona and Malpelo in the Pacific; the western part of the country is mountainous, with the three Andeans chains --- the Cordillera Occidental, Cordillera Central and Codillera Oriental --- running roughly parallel north-south across the entire country, making for arduous travel; the eastern country is divided into the rolling savannahs of Los Llanos in the north and the rainforest of the Amazon in the south. This geography had made Colombia look like a collection of city-states rather than a single nation until recently.
As a result, there came to be many forms of music that were popular in specific regions. These regional musical forms evolve out of the local cultural traditions, which represent a synthesis of the cultural heritages of descendants of the local Indian inhabitants, the Spanish settlers, the black slaves and even some English-speaking smugglers, who exist in different proportions by region. Here, we describe some of these forms:
The music that is most commonly identified with Colombia is the cumbia. The cumbia song "La Pollera Colora" is practically a national anthem for Colombia. In its original form, the cumbia ensemble consists of percussion and vocals only. Inevitably, modern wind instruments have been brought in --- the conjunto de cumbia includes a clarinet called the pito, the conjunto de gaitas has two flutes made from the cardón plant as well as maracas and the commercialized cumbia bands have saxophones, trumpets and trombones. According to the myth, the fast rhythm of the cumbia was developed by black slaves to dance in quick shuffle steps while being fettered in leg irons. "
A rather battered copy of an LP on the Fuentes label from the 60's I would guess. A compilation of the varied musical styles from that part of the world throbbing with the authentic latin rythyms that one expects. I particularly love the mad laughing in A Lo Loco!
"The last time the Hylton band appeared on stage , was at the Royal Command Performance held at the London Palladium on Nov. 13th 1950. The orchestra had been specially reformed for the occasion, an orchestra that had thrilled thousands throughout the continent and Britain, from it's inception in the early twenties, until it's untimely demise early in 1940. The human dynamo who directed the orchestra was Jack Hylton born in Great Lever, a district of Bolton on July 2nd, 1894. Jack began his career as a boy soprano singing in a public house "The Round Croft", which was run by his father. From the beginning Jack became known as the "Singing Mill Boy"." In 1905 he obtained his first professional engagement with a pierrot troupe in Rhyl, and by the time he was seventeen, Jack was conducting the orchestra of a touring pantomime for the princely sum of 45 shillings a week!"
One of my favourite novelty numbers "Rhymes" ,is sung here by Leslie Sarony who also wrote many others and he sang with the Hylton band during the 30's. A vocal trio take over for the second song from 1929.