Clinton Ford 1931 - 2009

Clinton Ford, whose real name was George Harrison strangely enough was born in 1931 in Salford near Manchester in the North West of England.
"Clinton will now be best remembered for his novelty song, "Fanlight Fanny"- a recording he made while he was with Oriole, a minor label which had association with the Woolworth's budget record brand, 'Embassy'. In fact Clinton Ford was one of Oriole's most successful artists for a while, and "Fanlight Fanny" looked like Clinton's break into the big time. Sadly, it never quite happened.

Like many other artists of the time, Clinton had first excercised his entertainment ambitions by becoming a 'redcoat' at Butlins. Although his own leanings were towards country and western material, he began singing with traditional jazz bands and skiffle groups. This appears to have influenced his style somewhat and much of his best work was done in the company of trad groups like the Merseysippi Jazz Band and George Chisholm for example. Clinton's choice of recorded material was certainly diverse- with everything from the country flavoured sentimental 'Old Shep' and his confident interpretation of 'Run To The Door' through the most outrageous novelties like 'The Old Bazaar In Cairo' and even George Formby's 'Why Don't Women Like Me'."


Clinton Ford - Where Did Robinson Crusoe Go With Friday On Saturday Night

Clinton Ford - What A Little Moonlight Can Do

Clinton Ford - Yaaka Hula Hickey Dula

Clinton Ford - Huggin' And A Chalkin'

Clinton Ford - My Little Bimbo

Neville Dickie

I found this at the boot sale recently and attracted immediatley by the cover. I love Fats Waller anyway so wondered what Neville had done to these great old tunes. Turns out he did a pretty good job despite no vocals. Certainly better than most "honky tonk" style pub pianists and probably better than Mrs. Mills, Russ Conway and Bobby Crush. Nice guitar too by Brian Fahey. No drummers name on the sleeve notes. An EMI label record from 1970.

Wikipedia says-

"After serving in the RAF, Dickie left Durham and moved to London, where he began playing piano for small wages in various pubs. It was only after Doreen Davies, who was head of BBC Radio 2, noticed him at a BBC audition that he took a notable stride in his musical career. He has played on hundreds of BBC Radio broadcasts.

Dickie has produced scores of records and can be heard on hundreds of jazz recordings, as well as several recordings with the French pianist, Louis Mazetier. Dickie had a Top 40 UK hit single in 1969 with "Robin's Return" on the Major Minor Records label (MM 644). It reached number 33 on the UK Singles Chart.

His 1975 album, Back to Boogie, sold more than 100,000 copies.[1] Dickie remains active, performing in the London area with his trio and with a band, the Rhythmakers, that he formed in 1985."


Neville Dickie - Carolina Shout

Neville Dickie - When Somebody Thinks You're Wonderful

Neville Dickie - Keepin' Out Of Mischief Now

Frank Ferera and Anthony Franchini

My other half found this on a boot sale the other day. I almost dismissed it as a piano duet but it turns out to be two hawaiian guitars and the sound is quite charming despite the ravages of time.

"Frank Ferera introduced steel guitar and slide guitar playing to an audience that was literally worldwide since many of his recordings were issued outside the United States. He was not the first Hawaiian guitarist to record. That was probably Joseph Kekuku, the steel guitar's reputed inventor (credit has also been given to James Hoa and Gabriel Davion), who performed with Toots Paka's Hawaiian troupe on Edison cylinders, both two- and four-minute, announced in the December 1909 issue of Edison Phonograph Monthly. Another predecessor was W.K. Kolomku, whose guitar solo of "Hawaiian Melodies" was issued on Victor 65341. But Ferera was the first guitarist to enjoy success as a recording artist, his name a familiar one in the catalogs of virtually all record companies of the World War I era and 1920s. His style of playing was a forerunner of bottleneck playing on blues records and "steel" playing on country records, and his popular records must have influenced many guitarists of his generation.

Hawaiian music had been recorded as early as the 1890s but was not especially popular or influential until the World War I era. The most complete examination of pioneer Hawaiian recordings is L.E. Andersen's "Hawaiian Recordings: The Early Years" in Victrola and 78 Journal (Issue 7, Winter 1996). Andersen writes, "The recording industry at first paid little attention to authentic Hawaiian repertoire...The first major offering of Hawaiian repertoire appears to have been made by the American Record Co. of Springfield, Massachusetts and New York City. These are on 10-5/8 inch blue single-sided 'Indian label' discs. By 1904 several Hawaiian troupes were performing in various mainland cities including New York, where American's Hawaiian recordings apparently were made late in that year or early in 1905."


Ferera & Franchini - Dream Kiss

Ferera & Franchini - Isle Of Paradise

Fairport Convention

A double cassette I found today in a charity shop for a couple of quid. Not sure how rare it is but it says it's an "official bootleg of the 1987 Fairport reunion at Croprety : Oxfordshire".
Those taking part were Simon NIcol, Dave Pegg, Dave Mattacks,Ric Sanders, Martin Allcock with guests Ian Anderson, Martin barre, jerry Donahue,Cathy LeSurf, Richard Thompson, Dave Swarbrick and June Tabor.

I have a soft spot for early Fairports when they were breaking bounderies with early folk/rock fusions. Later on they became rather too folky for my taste and with the loss of Richard Thompson much of the driving force went out of the group.

This live set though is sprinkled with some nice tunes and the Richard Thompson songs "Hand Of Kindness" and "Saturday Rolling Around" make it all worthwhile.

Their official website says of their early days-

"Fairport Convention played its first concert in a church hall in May 1967. Based in suburban north London, the group had coalesced around bass guitarist Ashley 'Tyger' Hutchings.

The youngsters 'convened' for rehearsals at a house named Fairport, the family home of rhythm guitarist Simon Nicol. Thus was born the name of a band that has endured for nearly four decades.

As well as Hutchings and Nicol, there was lead guitarist Richard Thompson and Shaun Frater on drums.

However, that initial line-up only played the one gig. A young drummer, Martin Lamble, was in the church hall audience and he convinced the band that he could do a better job than the incumbent. It was the first of the bewildering flurry of line-up changes that characterised Fairport's first fifteen years.

Fairport soon augmented its line-up with a female singer, Judy Dyble, which set it apart from the dozens of other bands springing up from the fast-moving youth culture of that summer.

Fairport found no shortage of work and was soon a regular act at underground venues such as The Electric Garden, Middle Earth and UFO.

The band had only been playing a few months when they caught the ear of Joe Boyd who secured them a contract with Island Records. Boyd suggested they augment the line-up with another male vocalist and so Iain Matthews joined the band and the first album, Fairport Convention, came out before the end of 1967.

At this early stage, Fairport looked to America for material and inspiration. "The two lead vocalist approach appealed to us," Matthews recalls. "and because of our name and onstage presence, lots of people thought we were American, and we were not about to attempt to dispel that presumption." This led to the band being dubbed 'the British Jefferson Airplane'."


Fairport Convention - John Barleycorn

Fairport Convention - The Hiring Fair

Fairport Convention - Bridge Of Sighs

Fairport Convention - Shame Of Doing Wrong

Fairport Convention - Hand Of Kindness

Fairport Convention - Saturday Rolling Around

Stanley Holloway

A CD found recently at a boot sale. Still available I think if you search for it on the Avid label. 2001. Mostly the monologues that he was famous for but with a few novelty/ music hall songs thrown in for good measure.

Wikipedia says-

"He was born in Manor Park, Essex (now Greater London), England, and attended The Worshipful School of Carpenters in Stratford.

His Mother Florrie was a housekeeper and his father George was a Lawyers Clerk. He had one sister called Millie.

His first job was as a junior clerk in a boot polish factory called "Everitts Nutta and Jetta"" where he earnt ten shillings a week. His second job was again as a clerk but this time at Billingsgate fish market. Whilst working there, he began his performing career as "Master Stanley Holloway -- The Wonderful Boy Soprano", from 1907. He began performing in end of pier concert parties at English east coast seaside resorts, including Walton-on-the-Naze and Clacton-on-Sea where he appeared for three years in Bert Graham and Will Bentley's concert party at the West Cliff Theatre in 1910.

He was then recruited by established comedian Leslie Henson to feature as a support in Henson’s own more prestigious concert-party performing in "Nicely, Thanks" in 1911.

He then planned a career as a singer in 1913 and went to Milan to train his voice, but realized that this wasn't for him and returned home. He then followed his heart and carried on in light entertainment.

In 1914 when World War I was in full swing, he enlisted in the Connaught Rangers infantry regiment. Upon joining he was immediately commissioned as a Second lieutenant. This was because a few years earlier he had had some training as a private in the London rifle Brigade.

Although an estimated 2,500 members of this regiment were killed during the Great War, Holloway survived and immediately began singing and acting in London's music halls and theaters, performing at the Winter Garden as Captain Wentworth in Guy Bolton and P.G. Wodehouse's Kissing Time in 1919, and as Rene in A Night Out in 1920.

After the war he joined the Royal Irish Constabulary in 1920 as a Temporary Constable but left by the beginning of 1921. The 'Temporary Constables' of the RIC are more generally remembered as the 'Black and Tans'.

After the war, he found his first big success in the show The Co-Optimists which ran from 1921 until 1927 and was then filmed in 1929. A second run of the show from 1929 developed his comic song and monologue repertoire, which launched his recording career with records of his own created character, "Sam Small," and Marriott Edgar's "The Ramsbottoms" selling world wide.

Holloway established himself as a BBC radio personality in 1923 and developed his solo act throughout the 1920s while continuing his involvement with the musical theater and [The Co-Optimists]]. He was cast as Bill Smith in the London production of Vincent Youmans' musical comedy Hit the Deck (1927), in Song of the Sea (1928), and in Coo-ee (1929). He began recording his monologues for the phonograph market in the early '30s. Based on colorful "North Country" characters named Albert and the Ramsbottoms (by George Marriott Edgar) and Sam Small (whom Holloway created), these remarkable recitations were couched in rhyming stanzas. Apart from speaking the monologues, Holloway would often sing the verses, carefully sticking to the words but always characterizing them in his own special way. Other contributors who would write with Holloway included Greatrex Newman, Robert Patrick Weston, and Bert Lee."

Stanley Holloway - The Future Mrs. 'awkins

Stanley Holloway - The Parson Of Puddle

Stanley Holloway - Guarding The Gasworks

Stanley Holloway - My Missus

The Savannah Jazz Band

Another trad jazz cassette from the boot sale a couple of weeks ago for 25p. Reminds me of the Temperence Seven and trad jazz revival of the 50's.

Their website says-

"The Savannah is without doubt one of the most popular UK bands around. With their talent for satisfying listeners and dancers alike they have built up a truly international reputation at major festivals in the UK and overseas.

The band's driving and exciting New Orleans style attracts large audiences whenever they play. Their many fans follow them from festival to festival and turn out devotedly to see them at regular venues in the UK. This tremendous support is very much appreciated by the band.

Demand for their music has prompted regular recordings on tape and CD. To date, 18 recordings have been made of the band, 12 live concerts and 6 in the studio by Lake Records. Their CDs sell like hot cakes. Other 'goodies' such as Polo Shirts, Sweatshirts, and even ladies Knickers sporting the Savannah logo were once a popular line - a sure sign of the band's popularity, all sadly discontinued.

Their music can be heard as far away as New Zealand and America and they have travelled to Holland, Germany, Denmark. Finland, Majorca, Canada and all parts of the UK, delighting new audiences and collecting loyal supporters along the way.

However, the band's reputation has not suddenly emerged; it has been hard earned and well-deserved for nearly 3 decades. Formed in 1979, The Savannah started their swinging Thursday night sessions at the Station Tavern at the railway station in Huddersfield, West Yorkshire, which has now come to an end.

Fortunately their dedication and ability has steamed ahead, and a residency continues at the Royal British Legion , Golcar where on the first Thursday of each month the band can be seen and heard for a relatively small entrance fee.

The Savannah Jazz Band is as much a musicians' band as it is a magnet for its impressive number of loyal fans. Over the years the band has enjoyed playing with some very fine and talented musicians and the genuine admiration that exists between Savannah and the many guests who have joined them is mutual. This tradition is continued at the Royal British Legion, Golcar."

Tracks include - Only A Beuatiful Picture, Love Songs Of The Nile, Creole Blues, I Double DareYou, Chloe, Home Sweet Home, I get The Blues When It Rains, Let Me Call You Sweetheart.


The Savannah Band - Side Two

Charleston Chasers

A cassette on the Sovereign label from 1994 found at the boot sale this week. A medley above includes songs Ain't She Sweet, I Wanna Be Loved By You and Varsity Drag.
Their website says -

"The Charleston Chasers, a ten piece band who are led by percussionist and vocalist Debbie Arthurs, play hot vintage music like you have never heard before! The Chasers, formed in 1987, are the spearhead band for music from the Art Deco era, so it was no surprise when they were chosen to play at the launch party for the Art Deco Exhibition at London's Victoria and Albert Museum. Some 800 invited guests were returned to the great age of artistic and musical creativity and to great acclaim, The Chasers drove new life into old numbers.

The Charleston Chasers hot vintage music show has been seen in some of the UK's finest theatres with guest presenters David Jacobs, Eric Knowles and Angela Ripon. The show features the well- known tunes of the day,including numbers by Fats Waller, George Gershwin, Charlie Kunz and Hoagy Carmichael, and are performed by top-flight musicians and sung by vivacious vocalists.

The Charleston Chasers have appeared at International Arts Festivals in Bath, Cheltenham, Edinburgh Leicester, Lichfield, and performed at open-air concerts for English Heritage, The National Trust and many fund raising events. European Festivals have warmly welcomed The Chasers. Two visits to Switzerland, as well as Holland and Denmark have had audiences clamouring for more of The Chasers music. The Chasers recordings are regularly played on BBC Radio 2 courtesy of Desmond Carrington, Russell Davies and David Jacobs."