An LP on Ace Of Clubs cheapo label from the 60's with various artistes including Ella Shields, Nellie Wallace and Tom Leamore that I have featured before.
Wikipedia says of Hetty King-
"Winifred Emms (4 April 1883 – 28 September 1972), best known by her stage name Hetty King, was an English entertainer who played in the music halls over a period of 70 years.
Emms was born in Shoreditch, London on 4 April 1883. Emms was born in New Brighton a seaside resort in Cheshire Cheshire and performed with her father on the beach in a company of minstrel
Emms adopted the name Hetty King when she first appeared on the stage of the Shoreditch Theatre, at the age of six with her father, William Emms (1856-1954), a comedian who used the stage name of Will King. By 1905, she was appearing in music halls, with her solo act, as a male impersonator, often dressed as a "swell". Her career spanned both World Wars when she performed in the uniform of either a soldier or a sailor. In the First World War her acrt included, in 1916, "Songs the soldiers sing" when she sang some of the less rude of the songs invented by soldiers in the trenches. She also played the "principal boy" in many pantomimes. She continued to entertain until the end of her life, touring with the show Thanks for the Memory."
Wikipedia says of Albert Whelan -
"Albert Whelan (5 May 1875 – 19 February 1961), was an Australian popular singer and entertainer, who was prominent in the English music hall during the first half of the twentieth century. Like his exact contemporary and fellow music-hall artist Florrie Forde, Whelan was born in Melbourne, Australia, in 1875. Early in his career, Whelan moved to Western Australia, where he found fame as a singer and dancer, entertaining the miners working the gold fields. At the turn of the century, he emigrated to Britain, making his debut in a novelty dance act at the Empire, Leicester Square. He rapidly honed his act, and settled on a style which would vary little over his career, although his ability to update the content of his act ensured his career was both long and successful, lasting well into his eighties. Whelan was acknowledged as one of the first entertainers to have a signature tune, appearing on-stage (and exiting at the end of his act) whistling Robert Vollstedt's waltz from Die Lustige Brüder (The Jolly Brothers). Immaculately dressed in bow-tie and tails, he sang, danced and played the piano. He was an excellent mimic, and adapted easily to changing vocal styles. His recording career spanned the first half of the twentieth century, from The Whistling Bowery Boy in 1905 to his final recordings made in 1960. He also had minor roles in a number of British films of the 1930s and 1940s."