Dave Brubeck

I must say I'm not a great Jazz fan and this kind of low key cocktail jazz with polite audience applause does nothing for me. One cannot deny though how Tom Hanks lookalike Dave won the hearts of many with his Take Five hit and spread the word of Jazz to the masses ( well, to a wider audience anyway )A picture sleeve single from the 60's I imagine...................................................................................... Wikipedia says - "David Warren "Dave" Brubeck (December 6, 1920 – December 5, 2012) was an American jazz pianist and composer, considered to be one of the foremost exponents of progressive jazz. He wrote a number of jazz standards, including "In Your Own Sweet Way" and "The Duke". Brubeck's style ranged from refined to bombastic, reflecting his mother's attempts at classical training and his improvisational skills. His music is known for employing unusual time signatures, and superimposing contrasting rhythms, meters, and tonalities. His long-time musical partner, alto saxophonist Paul Desmond, wrote the saxophone melody for the Dave Brubeck Quartet's best remembered piece, "Take Five", which is in 5/4 time and has endured as a jazz classic on one of the top-selling jazz albums, Time Out. Brubeck experimented with time signatures throughout his career, recording "Pick Up Sticks" in 6/4, "Unsquare Dance" in 7/4, "World's Fair" in 13/4, and "Blue Rondo à la Turk" in 9/8. He was also a respected composer of orchestral and sacred music, and wrote soundtracks for television such as Mr. Broadway and the animated mini-series This Is America, Charlie Brown."........................................................................................................................................................................Dave Brubeck - Lover............................................................................ Dave Brubeck - I'm In A Dancing Mood

Hawaiian Hula Boys

Extremely dull sounding fake Hawaiian record I picked up from the local Age UK shop the other day for 50p. Made for people who like MOR drivel. Have uploaded one side so you can hear how horrible it is!.........................................................................................................Hawaiian Hula Boys - \Honolulu/When You Dream About Hawaii.

Chucklefoot

LP on the Cottage label from 1982. Lovely one man band from the west country by the sound of it. Not much gleaned on the internet. O wait a minute here's his website right HERE!....................................................................................... "Good-time music from Chucklefoot who are Rog Butler (one-man-band, vocals, banjo, guitar, blues harp kazoo, drum, etc)… and Gill Butler (vocals, washboard, penny whistle, tea-chest bass, assorted noises) who play folk, jazz and comedy songs in their unique style."................................................................................ Tracks are as follows - 1. I Wish I Could Shimmy |Like My Sister Kate. 2. Sunshine Funshine 3. Froggy Went A Courtin' 4. The Pickle Packer's Picnic Outing 5. Gambling Man/ Last Train To San Fernando............................................................................... Chucklefoot - Side One.

Slade Flexidisc

A flexidisc from the early 70's given away with 19 magazine to publicise the release of Slade's "Something Old Something New Something Borrowed Something Blue" album.................................................................................. Wikipedia says - "Slade are a British rock band from Wolverhampton/Walsall, who rose to prominence during the glam rock era of the early 1970s. With 17 consecutive Top 20 hits and six number ones, the British Hit Singles & Albums names them as the most successful British group of the 1970s based on sales of singles. They were the first act to have three singles enter at number one, and all six of the band's chart-toppers were penned by Noddy Holder and Jim Lea. Total UK sales stand at 6,520,171, and their best selling single, "Merry Xmas Everybody", has sold in excess of one million copies. Following an unsuccessful move to the United States in 1975, the band's popularity waned but was unexpectedly revived in 1980 when they were last minute replacements for Ozzy Osbourne at the Reading Rock Festival. The band later acknowledged this to have been one of the highlights of their career. The original line up split in 1992 but the band reformed the following year as Slade II. The band has continued, with a number of line-up changes, to the present day. They have now shortened the group name back to Slade. A number of diverse artists have cited Slade as an influence, including 90s icons Nirvana and Smashing Pumpkins, punk pioneers The Ramones, Sex Pistols, The Undertones, The Runaways and The Clash, glam followers Kiss, Mötley Crüe, Twisted Sister, Quiet Riot, Poison and Def Leppard and pop-rock stalwarts The Replacements, Cheap Trick and Oasis. The Illustrated Encyclopaedia of Music tells of Holder's powerful vocals, guitarist Dave Hill's equally arresting dress sense and the deliberate misspelling of their song titles for which they became well known.".............................................................................. Slade - 19 Flexidisc.

Chapparal

Tacky drawn sleeve attracted me to this run-of-the-mill country record I found in Macclesfield today for a quid in a charity shop. Full of maudlin songs but a couple of high spots I have uploaded so you can get a flavour of what's on it. No info to be found on the internet. On the SRT Productions label from 1980 so probably broke up a long time ago........................................................................................................................................................................... Chapparal - Take This Job And Shove It........................................................................... Chapparal - Ol'e Joe Clark.

Rudi Wairata

I thought this LP sounded very authentic but it turns out that this Hawaiian is Moluccan (wherever that is?)! Even so a very nice sounding record and one cannot fault the musicianship. On the Gemini label from 1962................................................................. Real name - Diederich Gijsbrecht Christo Wairata Profile: Moluccan artist, born in Ternate on December 25, 1929. He started at a young age as a Hawaiian guitar player. In 1951 he moved to Holland on a scholarship and started his own band "Mena Moeria Minstrels". Because of disagreements he leaves this band and forms a new band using the names "Rudi Wairata & The Hawaiian Minstrels" and "Rudi Wairata & The Serenaders". In 1959 and 1960 he was part of the band "De Kilima Hawaiians" as a steel guitar player. In the 1960s and 1970s he continued his musical career, but mostly in Germany. The artist has passed away in Rotterdam on July 15, 1981................................................................................... Tracks are as follows - 1.Tomi-Tomi 2. Pua Jka Lani 3. Kane-Ohe-Hula 4. Uhe-Uhene 5. Ulu-Hua-Wale-Aoe 6. |He U-I...................................................................................... Rudi Wairata - Side Two.

Stepowski Jarema

Having so many Eastern European's, especially Poles , living in the UK now it's not surprising that eventually some records from those countries would turn up in the charity shops and boot sales. This is one such example that caught my eye - the cloth cap and cheeky smile reminded me of northern comedians like Frank Randle and Al Read. No idea what these novelty songs are about but one gets a clue from the titles of the songs thankfully translated into English on the sleeve................................................................................. Wikipedia says - "Jarema Junosza-Stępowski (born January 15, 1925 in Warsaw, died. Jan. 11, 2001 ibid.) - Polish actor and singer. He has appeared in over 20 films. He appeared in Cabaret Old Men, where he sang such Disgusting drab songs (with Jeremy utensil) and Winter regret. Is known for its performances of many songs thematically and linguistically referring to the dialect and folklore in Warsaw . He appeared in the television series The Civil War, where he played in the distinctive figure of a man collecting dried bread for the horse. Casimir's nephew Junosza-Stępowskiego." (Google Translate) This amusing translation adds even more enigma to the man!................................................................................... Tracks are as follows - 1. Urchin's Tango 2. A Golden Thumb 3. The Story Of Mrs. Wisniewska 4. Mr. Valentine 5. The Red Haired Mary 6. The Parting In My Hair................................................................................... Stepowski Jarema - Side One.

Noel Coward

I seem to have missed adding this gem to the blog in the past although I seem to remember featuring Noel Coward's live album from Las Vegas at some point. Some great songs on here especially London Pride and There Are Bad Times Just Around The Corner which seems very pertinent for today with some very funny lyrics................................................................................. Wikipedia says - "Sir Noël Peirce Coward (16 December 1899 – 26 March 1973) was an English playwright, composer, director, actor and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise". Born in Teddington, a suburb of London, Coward attended a dance academy in London as a child, making his professional stage début at the age of eleven. As a teenager he was introduced into the high society in which most of his plays would be set. Coward achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards. Many of his works, such as Hay Fever, Private Lives, Design for Living, Present Laughter and Blithe Spirit, have remained in the regular theatre repertoire. He composed hundreds of songs, in addition to well over a dozen musical theatre works (including the operetta Bitter Sweet and comic revues), poetry, several volumes of short stories, the novel Pomp and Circumstance, and a three-volume autobiography. Coward's stage and film acting and directing career spanned six decades, during which he starred in many of his own works. At the outbreak of World War II, Coward volunteered for war work, running the British propaganda office in Paris. He also worked with the Secret Service, seeking to use his influence to persuade the American public and government to help Britain. Coward won an Academy Honorary Award in 1943 for his naval film drama, In Which We Serve, and was knighted in 1969. In the 1950s he achieved fresh success as a cabaret performer, performing his own songs, such as "Mad Dogs and Englishmen", "London Pride" and "I Went to a Marvellous Party". His plays and songs achieved new popularity in the 1960s and 1970s, and his work and style continue to influence popular culture. Coward did not publicly acknowledge his homosexuality, but it was discussed candidly after his death by biographers including Graham Payn, his long-time partner, and in Coward's diaries and letters, published posthumously. The former Albery Theatre (originally the New Theatre) in London was renamed the Noël Coward Theatre in his honour in 2006."............................................................................... Tracks are as follows - 1.There Are Bad Times Just Around The Corner 2. Nina 3. London Pride 4. Imagine The Duchess's Feelings 5. His Excellency Regrets 6. Sail Away................................................................................. Noel Coward - Side Two.

Frankie Vaughan

An EP on the Womans Own label I found in a charity shop the other day. Frankie was a favourite crooner of my mothers but I always found his trademark "laughter in his voice" rather creepy. Some of his biggest hits here on a promo EP from 1960................................................................................... Wikidpedia says - "He was born Frank Abelson to a Jewish family in Devon Street, Liverpool, England. The name 'Vaughan' came from a grandmother whose first grandson he was, who used to call Frank 'my number one' grandson, in whose Russian accent 'one' sounded like 'Vaughan'. In his early life, he was a member of the Lancaster Lads Club, a member group of the National Association of Boys' Clubs in the UK, and in his career he was a major contributor to the clubs, dedicating his monetary compensation from one song each year to them. He was an evacuee during World War II. He started out at the club intending to be a boxer. Then at age 14 he received a scholarship to the Lancaster College of Art, where he sang in the dance band. After a stint in the Royal Army Medical Corps in World War II (where he spent most of his time boxing) he returned to art school, this time at the Leeds College of Art. When he won a prize to design a furniture exhibition stand, he left for London, where he won second prize on a radio talent show. Vaughan's career began in the late 1940s in the theatre doing variety song and dance acts. He was known as a fancy dresser, wearing top hat, bow tie, tails, and carrying a cane. In the 1950s he worked for a few years with the Nat Temple band, and after that period he then began making records, and was popular in the UK. In 1955, he recorded what was to become his trademark song, "Give Me the Moonlight, Give Me the Girl". He recorded a large number of songs that were covers of United States hit songs, including Perry Como's "Kewpie Doll," Jimmie Rodgers' "Kisses Sweeter than Wine," Boyd Bennett's "Seventeen" (also covered in the US by the Fontane Sisters), Jim Lowe's "The Green Door," and (with The Kaye Sisters), The Fleetwoods' "Come Softly to Me". From the 1950s through to the early 1960s, his recordings were popular in the UK. In 1956, his cover of "The Green Door" reached #2 in the UK Singles Chart.[3] The same year he was voted 'Showbusiness Personality of the Year'.[2] In early 1957, his version of "The Garden of Eden", reached #1 in the UK Singles Chart. In 1961, Vaughan hit #1 in the UK again, with "Tower of Strength", but the rise of beat music eclipsed his chart career for two or three years, before he returned to the Top 10 in 1967 with "There Must Be A Way". Chart success eluded him after this although he did have two more Top 40 singles; "Nevertheless" and "So Tired". Managed at this time by the former journalist and theatrical agent Paul Cave,[4] he went to the United States in 1960 to make a movie with Marilyn Monroe, Let's Make Love, and was an actor in several other movies, but his recordings were never chart hits in the US. In 1961, Vaughan was on the bill at the Royal Variety Performance at the Prince of Wales Theatre, Coventry Street, London. During the 1960s, he became involved with youth social problems in Easterhouse, a large housing estate in the outskirts of Glasgow, and was influential in attracting new resources and inward investment to the area. A longtime member of the Grand Order of Water Rats, Vaughan became King Rat in 1968, a feat he followed up in 1998."............................................................................... Frankie Vaughan - Milord/The Green Door............................................................ Frankie Vaughan - You Got-Ta Have Something In The Bank Frank/ Give Me The Moonlight, Give Me The Girl

The Gaylads

One last ska single for 2012 this time from 1967 on the Rio label. Nice ska instrumental on the "B" side by the Soul Brothers...................................................................................................................................................................... Wikipedia says - "The Gaylads are a Jamaican vocal group. They were one of the top rocksteady vocal groups active in Jamaica between 1963 and 1973. The group, formed in Kingston, originally consisted of singers Harris "B.B." Seaton, Winston Delano Stewart and Maurice Roberts; Seaton and Stewart had previously been successful as the duo Winston & Bibby. There would be several line-up changes throughout The Gaylads' ten year history, with Maurice Roberts remaining the only constant member. Besides recording several hit records, The Gaylads also backed many influential musicians (including Ken Boothe) on recordings. Roberts, the lone remaining original member, selected brothers Randell and Hopeton Thaxter to carry on the Gaylads name; the new lineup never matched the success of its predecessor, however, and after releasing the album, Love and Understanding, as the Gayladds, Roberts dropped any reference to the moniker and rechristened the trio the Psalms, landing as backing vocalists for Bunny Wailer. The founding duo of Seaton and Stewart reformed for the first time in over two decades for an appearance at the 1991 Studio One concert, and two years later Roberts joined them for a performance at the Rocksteady Reunion in Kingston. Seaton, who began his solo career in 1973 with the album Thin Line Between Love and Hate and enjoyed success throughout the years to follow—subsequently relocated to London to helm his revived Soul Beat imprint. Some of their hits included one of the first singles encouraging repatriation - "Africa (We Want To Go)," "Joy In The Morning"; "Red Rose," (for Coxsone Dodd at Studio One), "It's Hard To Confess," "Over the Rainbow's End"(for Sonia Pottinger) and "My Jamaican Girl" (for Leslie Kong / Beverley's). The current line-up of the Gaylads comprises Seaton, Roberts, and Randall Thaxter."................................................................................................................................................................. Soul |Bothers - Soul Serenade......................................................................... The Gaylads - Put On Your Style.

Bill Black's Combo

Groovy blues instrumentals by Bill Black's Combo on the Hi label from the 60's................................................................................... Wikipedia says - "Black was born in Memphis, Tennessee, to a motorman for the Memphis Street Railway. He was the oldest of nine children. His father played popular songs on the banjo and fiddle to entertain the family. Black learned to play music at the age of 14 on an instrument made by his father—a cigar box with a board nailed to it and strings attached. At the age of sixteen, Black was performing "honky-tonk" music on acoustic guitar in local bars. During World War II, Black was stationed with the U.S. Army at Fort Lee in Virginia. While in the Army, he met Evelyn, who played guitar as the member of a musical family. They married in 1946 and returned to Memphis. Black worked at the Firestone plant. Black began playing the upright bass fiddle. He modeled his "slap bass" technique after one of his idols, Fred Maddox of Maddox Brothers and Rose. Black also developed a "stage clown" persona in the same way that Maddox entertained audiences. Black performed as an exaggerated hillbilly with blacked-out teeth, straw hat and overalls. According to his son, Black said his goal was always to give his audience "a few moments of entertainment and maybe a little bit of humor that'll tickle 'em for a while." In 1952, Black began playing club and radio shows with guitarist Scotty Moore. Along with two other guitarists and a fiddler, they performed country music tunes by Hank Williams and Red Foley in Doug Poindexter's band, the Starlight Wranglers.[3] Black and Moore also played in a band with Paul Burlison, Johnny Burnette, Dorsey Burnette on steel guitar, and a drummer. In 1954, Black and Moore were formed into a trio with Elvis Presley."............................................................................ Bill Black's Combo - Blues For The Red Boy.................................................................. Bill Black's Combo - So What.

Lightin' Slim

A blues single with three tracks on the Blue Horizon label from 1972. Produced arranged and directed by Mike Vernon.......................................................................................................................................................................Wikipedia says - "Lightnin' Slim was born Otis V. Hicks in St. Louis, Missouri. moving to Baton Rouge, Louisiana at the age of thirteen. Taught guitar by his older brother Layfield, Slim was playing in bars in Baton Rouge by the late 1940s. He debuted on J. D. "Jay" Miller's Feature Records label in 1954 with "Bad Luck Blues" ("If it wasn't for bad luck, I wouldn't have no luck at all"). Slim then recorded for Excello Records for twelve years, starting in the mid 1950s, often collaborating with his brother-in-law, Slim Harpo and with harmonica player Lazy Lester. Slim took time off from the blues for a period of time and ended up working in a foundry in Pontiac, Michigan,[citation needed] which resulted in him suffering from constantly having his hands exposed to high temperatures. He was re-discovered by Fred Reif in 1970, in Pontiac, where he was living in a rented room at Slim Harpo's sister's house. Reif soon got him back performing again and a new recording contract with Excello, this time through Bud Howell, the present President of the company. His first gig was a reunion concert at the 1971 University of Chicago Folk Festival with Lazy Lester, whom Reif had brought from Baton Rouge in January 1971. In the 1970s, Slim performed on tours in Europe, both in the United Kingdom and at the Montreux Jazz Festival in Switzerland where he was often accompanied by Moses "Whispering" Smith on harmonica. He last toured the UK in 1973, with the American Blues Legends package. In July 1974, Slim died of stomach cancer in Detroit, Michigan, aged 61."...................................................................................Lightnin' Slim - Just A Little Bit................................................................................................................................................................... Lightin' Slim - Your'e Old Enough Mind Your Own Business

Roland Alphonso/ Little Luman

Another R. Alphonse (sic) track with the even more obscure Little Luman on the "A" side from 1964. A great instrumental version of The Hucklebuck which Alphonse claims to have written but pretty sure he didn't!....................................................................................................................................................................... Wikipedia says - "When the Skatalites disbanded by August 1965, Alphonso formed the Soul Brothers (with Johnny "Dizzy" Moore, and Jackie Mittoo) to become The Soul Vendors in 1967. In the late 1960s and early 1970s, Alphonso led the Ruinaires, the resident band at the Ruins restaurant/nightclub, this coming to an end when he suffered a stroke at the age of 41. He recovered quickly from this setback, and relocated to the United States in late 1972, soon returning to performing and recording. He released the first album under his name in 1973 on the Studio One record label. During the 1970s, 80s, and 90s, he kept on playing on numerous records coming out from Jamaican studios, especially for Bunny Lee, and he toured with many bands. In the late 1970s and early 1980s, he played with the band Jah Malla, performing regularly on the live circuit around New York. He was awarded Officer of the Order of Distinction by the Jamaican government in 1977, and started to tour more often in the U.S. He took part in the reformation of the Skatalites in 1983, with whom he toured and recorded constantly until he suffered a burst blood vessel in his head during a show at the Key Club in Hollywood on 2 November 1998. He died on 20 November 1998 at Cedars-Sinai Medical Center in Los Angeles, after suffering a second burst blood vessel, and spending four days in a coma.".................................................................................................................................................................... Little Luman - Hurry Hurry................................................................................................................................................................. Roland Alphonso - The Hucklebuck.

The Creation

The Creation sounded more like The Who than the Who did! This single is from the mid 60's on the Planet label.....................................................................................Wikipedia says - "Most of the members of what would eventually become Creation were initially members of The Mark Four, a British beat group based in Cheshunt, Hertfordshire. By late 1963 The Mark Four was a quintet consisting of Kenny Pickett (vocals), Eddie Phillips (guitars), Mick "Spud" Thompson (rhythm guitars), John Dalton (bass), and Jack Jones (drums). This line-up played regularly in the UK and in Germany before issuing two non-charting singles for Mercury Records in 1964. Dalton then left the band, later joining The Kinks as a replacement for Pete Quaife, and was replaced by new bassist Tony Cooke. Around the same time, Thompson left the band and was not replaced. This Mark Four line-up issued two further non-charting singles: "Hurt Me (If You Will)" (Decca, August 1965) and "Work All Day (Sleep All Night)" (Fontana, February 1966). In April 1966, the group signed a management deal with Tony Stratton-Smith. He promptly suggested replacing Cooke with new bassist Bob Garner (previously of the Tony Sheridan Band), and a name change. The band took him up on both suggestions: it was Pickett who came up with the name The Creation, based on a reference he found in a book of Russian poetry. The band's style, produced by Shel Talmy, was, at this point, loud pop art, similar to early records by The Who.. Their first single, "Making Time", was a Pickett/Phillips original. Released in June 1966 on Talmy's own label, Planet (distributed in the UK by Polydor and in the US by Jay-Gee), it reached #49 on the UK chart. Almost immediately thereafter, The Creation suffered another line-up change when Jack Jones was fired and replaced by new drummer Dave Preston. However, the band was unsatisfied with Preston's live work,[citation needed] and in less than three weeks Jones was asked back and rejoined the group. Their next single, October 1966's "Painter Man", became their biggest hit, reaching #36 UK and the top 10 in Germany. The track featured Phillips playing his electric guitar with a violin bow. He was reputedly the first guitarist to use this technique, although Jimmy Page later did it to greater acclaim. The Creation took their pop art experimentation slightly further when, during live performances of "Painter Man" Pickett would spraypaint a canvas during their concerts, before a member of the road crew set light to artwork on stage."................................................................................................................................................................... Creation - Making Time.................................................................................................................................................................. Creation - Try And Stop Me.

Roland Alphonso

Forget the squeaky voiced Hyacynth on the "A" side the flip is the best- excellent jazz ska with Roland Alphonso - on the Rio label from 1965....................................................................................Wikipedia says - "Roland Alphonso O.D. or Rolando Alphonso aka The Chief Musician (January 12, 1931, Havana, Cuba - November 20, 1998, Los Angeles, California, United States)[1] was a Jamaican tenor saxophonist, and one of the founding members of The Skatalites. Alphonso came to Jamaica at the age of two with his Jamaican mother, and started to learn saxophone at the Stony Hill Industrial School. In 1948 he left school to join Eric Deans' orchestra and soon passed through other bands in the hotel circuit and first recorded as a member of Stanley Motta's group in 1952, going on to record frequently as a session musician. In 1956 he first recorded for Clement "Coxsone" Dodd, although these early recordings were lost before they were mastered. In 1959 he joined the band of Cluett Johnson named Clue J & His Blues Blasters and backed many of Dodd's recording sessions in a typical Jamaican R&B style. He also acted as arranger at many of Dodd's recording sessions. By 1960, he was recording for many other producers such as Duke Reid, Lloyd "The Matador" Daley and King Edwards, as well as continuing to work for Dodd, contributing alto, tenor, and baritone saxophones, and flute to recordings. During this period he played in many different bands, such as The Alley Cats, The City Slickers, and Aubrey Adams & The Dew Droppers. In 1963, after few months spent in Nassau, Bahamas, he took part in the creation of The Studio One Orchestra, the first session band at Dodd's newly-opened recording studio. This band soon adopted the name of The Skatalites.".............................................................................................................................................................. Roland Alphonso - Jazz Ska...............................................................................Hyacynth - Oh Gee.

The Les Dawson Syndicate

Not THE Les Dawson but an obscure Les Dawson who only made this one single for the Melodisc label it seems back in 1962. A bit of a rarity I imagine. Not sure where I found it - maybe in that box of ska singles from the scout hut in Basildon back in the 70's. Anyway, this is a great song - mostly instrumental with shout outs from the band.On the other side they are joined by Johnny Stevens - who is another I could find no mention of on the internet search. If you know anything please do tell!..........................................................................................................................................................................Les Dawson Syndicate - Last Chicken In The Shop...................................................................................................................................................................... Les Dawson/Johnny Stevens - Oh Yeah

Singing Dogs (Re-Up)

Another 78 from the boot on Sunday. I remember this oddity being played on Children's Favourites on the radio when I was a nipper. "Carl Weismann - Danish legendary pioneer bird voice recording engineer, working for the Danish State Radio in Copenhagen - HATED dogs! Yeah, well - he hated their barking spoiling every other of his recordings of singing birds - he became a master in cutting them out of his bird tapes - in those days - the 50's - there was no other way to do it than with a pair of scissors! So he ended up with two piles of tapes - one with bird voices and one with dog voices. The dogs really were doomed to be thrown out - but then Carl got an idea! He cut together a tape of various toned dog barks set to the music of 'Jingle Bells'. He had no further intentions, than it might be fun for a Danish children radio show. HOW it in 1955 ended up on a 45 rpm with 3 other tunes 'Patty Cake', 'Three Blind Mice' and 'Oh Susanna' as a four-tune medley - I simply don’t know. But the disc was released by RCA in USA and sold 500.000 copies. Release in Britain around the same time was on Pye-Nixa label, on a 78 rpm disc. In Sweden it has been seen on the Metronome label. Howard Smith, host of a four-hour talk-music show over WABC-New York FM outlet, WPLJ who liked to play anything weird or new on his program first started playing the original 45 rpm disc at Christmas 1970. Someone found it in a Boston used record store and gave it to the father of his girlfriend. Smith played the disc for many weeks prior to Christmas 1971 and told some RCA executives at a record party about the public response to his playing their old record. RCA unearthed the original parts at their plant in Indianapolis and rushed the disc into release in early December 1971. In 3 weeks alone it sold 420,000 copies, the combined sales through the years thus making it a million seller."===================================================================================================================================================================Singing Dogs - Pat-a -cake/Jingle Bells==================================================================================================================================================================Singing Dogs - Oh Susanna

Louisiana Cajun Music Vol. 4

Another Cajun LP from the same pile at last week's boot sale - this time on the Old Timey records label. A compilation from 50's released in 1972...........................................................................................................................................................................Wikipedia says of Harry Choates - "Harry Choates (December 26, 1922, Rayne, Louisiana or New Iberia, Louisiana - July 17, 1951, Austin, Texas) was an American Cajun music fiddler. Choates's place of birth is disputed. He moved to Port Arthur, Texas in the 1930s, and received little schooling, instead spending time in local bars listening to music on the jukebox. By age 12 he started playing fiddle for spare change in barbershops. He gained early professional experience playing in the bands of Leo Soileau and Leroy LeBlanc, then split off to form his own group called the Melody Boys in 1946. His 1946 song "Jole Blon", a top 10 hit (Billboard position #4) for Choates, was recorded by country singer Moon Mullican and became a major hit, but Choates had waived his rights to the song and was never compensated for the song's success. Choates remained with the Melody Boys from 1946 to 1951, recording for Gold Star Records in 1946-47. The Melody Boys disbanded over Choates's chronic problems with alcoholism and his frequent missed concert dates, and shortly after the dissolution he played with Jesse James & His Gang on KTBC radio. In the middle of the year, Choates was found to be in contempt of court for failing to pay his support payments for his children. He spent three days in prison, at which time he began hitting his head against the bars of his jail cell, eventually knocking himself into a coma. The condition persisted for several days before Choates died on July 17, 1951."......................................................................................Wikipedia says of Hackberry Ramblers - "The Hackberry Ramblers (also known as the Riverside Ramblers), a Grammy Award-nominated Cajun music band based in Hackberry, Louisiana, formed in 1933. Since its heyday in the late 1930s it has become one of the most recognized names and influential groups in Cajun music. Its sound has come to be one of the genre's most imitated, and its 1936 song "Jolie Blonde" — the group's most covered song — ranks as the informal "Cajun national anthem." The group, which continues to tour and perform, has one of the longest histories of a musical group in the United States of America, and while its lineup has changed many times since its conception, its founders — fiddler Luderin Darbone and accordionist Edwin Duhon — led the band until Duhon's death in 2006. (Darbone died November 21, 2008.) While the roots of the band lie in its Cajun music repertoire, the Ramblers perform a broad swath of American music, from Western swing to blues and rockabilly, and much of their sound blends them all. The Country Music Hall of Fame has honored the group; it holds enshrined many of the founding members' instruments. James "Glen" Croker died at the age of 77 on August 23, 2011."...............................................................................Tracks are as follows - 1. Wondering - Joe Werner & His Riverside Ramblers 2. Dissatisfied - Joe Werner & His Riverside Rablers 3. Jolie Blonde - Hackberry Ramblers 4. Ma Cherie Belle - Hackfield Ramblers 5. Austin Special - Harry Choates 6. Saturday Night Waltz - Harry Choates 7. La Prison - Oaklahoma Tornadoes......................................................................................Cajun Music - Side One

Adge Cutler & The Wurzels

More Wurzels this time with Adge Cutler from 1968 on the EMI label. Supposed to be a live recording but sounds very fake to me - maybe just the way its been edited. The usual old country bumpkin nonsense and terrible jokes and daft ditties about life in the West Country....................................................................................Wikipedia says - "Alan John Cutler was born in Portishead, Somerset. Nicknamed 'Adge' by his friends, from his initials A.J., he lived in the small North Somerset town of Nailsea. He spent his earlier years pursuing various jobs he would use as material for later songs, including road manager for Acker Bilk, working in a cider mill (Coates of Nailsea), and working on building a power station in North Wales. He spent a year in Spain working as an agent looking for property. During his time there he grew to love the country and the Spanish way of life, as well as becoming fluent in Spanish. In 1972, he married Yvonne, moving to Tickenham, a few miles north of Nailsea. Cutler's songs are largely sung in his own accent, though some are in an exaggerated Bristolian accent, and one in West Indian dialect. Cutler was influenced by Len "Uke" Thomas, a singer who left no recordings but who sang in the Bristolian dialect and who was a well known Bristol entertainer. Virtually all of Cutler's recordings are live; one album, "Cutler of the West", was recorded at the Webbington Country Club, which is very easy to see on the M5 motorway, on the slopes of Crook Peak. [edit]Death On 5 May 1974, he died when he crashed his MGB sports car on a roundabout in Chepstow, following a Wurzels concert. Cutler is buried in the graveyard of Christ Church, Nailsea."..................................................................................................................................................................Adge Cutler - Side One

Dewey Balfa, Marc Savoy & D.L. Menard

Boot sale find on Sunday. LP on the Arhoolie label from 1977. Dance music from the Louisiana bayou..........................................................................................................................................................................Wikipedia says - "Dewey Balfa (March 20, 1927 – June 17, 1992) was an American Cajun fiddler and singer who contributed significantly to the popularity of Cajun music. Balfa was born near Mamou, Louisiana. He is perhaps best known for his 1964 performance at the Newport Folk Festival with Gladius Thibodeaux and Vinus LeJeune, where the group received an enthusiastic response from over seventeen thousand audience members. He sang the song "Parlez Nous à Boire" in the 1981 cult film Southern Comfort, in which he had a small role."............................................................................................."Marc Savoy (pronounced English pronunciation: /sɑːˈvwɑː/ 'sah-vwah')[1] (b. near Eunice, Louisiana, United States, October 1, 1940) is an American musician, and builder and player of the Cajun accordion. Savoy holds a degree in chemical engineering but his primary income is derived from his accordion-making business, based at his Savoy Music Center in Eunice, Louisiana. His wife is the singer and guitarist Ann Savoy, whom he met in 1975. He has performed with Robert Bertrand, Dennis McGee, Rodney Balfa, Sady Courville, Dewey Balfa, D. L. Menard, and Michael Doucet, the latter of whom he plays with in the Savoy-Doucet Band. He also plays in the Savoy Family Band with his wife Ann and their sons Joel and Wilson. He hosts regular jam sessions and mini-festivals at the Savoy Music Center."...................................................................................."Menard was born in Erath, Louisiana. The only child of Mr. Ophy Menard and Mrs. Helena Primeaux Menard. He was part of a Cajun farming family. He started to play guitar at 16 and started playing dances in Louisiana clubs at 17. He was greatly influenced by Hank Williams meeting him once in 1951 at the Teche Club shortly before Hank's death. Since then he has performed in more than 30 countries and served as a good-will ambassador for Cajun culture. He has also recorded with non-Cajun artists, including Bryan Ferry. He and his wife Louella - now deceased - have seven children, seventeen grandchildren, and one great-grandchild. He still lives in Erath and continues to play music. He has maintained a separate career as a craftsman, noted for his handmade ash-wood chairs he makes at his one-man factory in Erath."......................................................................................................................................................................Tracks are as follows - 1. Jolie BlondeDe bayou 2. Petite Fille De La Campagne 3.En Bas D'un Chene Vert 4. Port Arthur Blues 5. J'ai Fait Un Gros Erreur 6. J'etais Au Bal........................................................................................................................................................................Dewey Balfa & Co. - Side One