Clinton Ford

An Lp on the cheapo Marble Arch label from 1969 , distributed by Pye records. A compilation of children's songs. Nice versions of old novelties like Aba-daba Honeymoon and The Oyster Song.

"Clinton Ford, whose real name was George Harrison strangely enough was born in 1931 in Salford near Manchester in the North West of England.
"Clinton will now be best remembered for his novelty song, "Fanlight Fanny"- a recording he made while he was with Oriole, a minor label which had association with the Woolworth's budget record brand, 'Embassy'. In fact Clinton Ford was one of Oriole's most successful artists for a while, and "Fanlight Fanny" looked like Clinton's break into the big time. Sadly, it never quite happened.

Like many other artists of the time, Clinton had first excercised his entertainment ambitions by becoming a 'redcoat' at Butlins. Although his own leanings were towards country and western material, he began singing with traditional jazz bands and skiffle groups. This appears to have influenced his style somewhat and much of his best work was done in the company of trad groups like the Merseysippi Jazz Band and George Chisholm for example. Clinton's choice of recorded material was certainly diverse- with everything from the country flavoured sentimental 'Old Shep' and his confident interpretation of 'Run To The Door' through the most outrageous novelties like 'The Old Bazaar In Cairo' and even George Formby's 'Why Don't Women Like Me'."


Clinton Ford - Little White Donkey

Clinton Ford - Oh Dear What Can The Matter Be

Clinton Ford - Daisy Bell

Clinton Ford - Rosemary & Thyme

Clinton Ford - What Noise Annoys An Oyster

Bernard Miles

Found this EP by Bernard Miles today at the boot sale for 50p. I vaguley remember this act from the early 60's on TV where he appeared on The Good Old Days etc. as a bucolic old yokel leaning over a five bar gate - hence the title of this record.

Wikipedia says -

"Bernard James Miles, Baron Miles, CBE (27 September 1907–14 June 1991) was an English character actor, writer and director.

Miles was born in Uxbridge, Middlesex and attended Bishopshalt School in Hillingdon. While his parents were respectively a farm labourer and a cook, he was educated at Pembroke College, Cambridge. He entered the theatre in the 1930s, soon appearing in films. Like many actors, he featured prominently in the patriotic cinema during the Second World War, including classics of the genre such as In Which We Serve and One of Our Aircraft is Missing. He also had an uncredited role in the WWII classic The First of the Few, released in the US as Spitfire.

His typical persona as an actor was as a countryman, with a strong accent typical of the Hertfordshire and Buckinghamshire counties. He was also, after Robert Newton the actor most associated with the part of Long John Silver, which he played in a British TV version of Treasure Island, and in an annual performance at the Mermaid. He had a pleasant rolling bass-baritone voice that worked well in theatre and film, as well as being much in demand for voice-overs. As a performer, he was most well known for a series of comic monologues, often given in a rural dialect. These were recorded and sold as record albums, which were quite popular. Some of his comic monologues are currently available on youtube.com.

He opened the Mermaid Theatre in London in 1959, the first new theatre opened in London since the 17th century. He was made a Commander of the British Empire (CBE) in 1953, was knighted in 1969, and was granted a life peerage as Baron Miles, of Blackfriars in the City of London in 1979. He was only the second British actor ever to be given a peerage (the first was Laurence Olivier). In 1981, he co-authored the book Curtain Calls with J.C. Trewin. He died in Yorkshire

His daughters are the actress Sally Miles and the artist Bridget Miles. His son John Miles was a Grand Prix Driver in the late 1960s and early 1970s with the Lotus team."


Bernard Miles - Over The Gate / Me an' Old Charlie

Bernard Miles - One Of The Old School

Bernard Miles - Billy & Toggie

Little Marcy

Not a great deal from the boot sales lately but did find this curiosity today for a few pence. Little Marcy is a ventriloquists doll and well known amongst collectors of strange records. It's on the Word World Wonder Series label out of Waco Texas. It has a price tag of 1:98 dollars on the sleeve depicting marcy and her animal friends.
It was released in 1968.

"Marcy Tigner, her puppet Little Marcy, and her unusual "child-like" singing voice, found her art, her niche, in the only venue available to so many like her - Christian childrens' music. Over three decades her unusual act has been fascinating, inspiring, sometimes repelling audiences from all over, depending on one's beliefs and point of view. Even today, when her music is often categorised as 'bad' or 'disturbing,' people find confirmation of their faith in it - and in fact, it stands head and shoulders above most of the other work in the genre thanks to top-notch production values.


Her albums have been released and re-released under various labels and at various prices, as was (and probably still is) typical for the genre. What we have here is an attempt - likely foredoomed to failure - to list every "Little Marcy" album and related release ever, along with whatever other data we can glean from thrift store record purchases and random bits of research."


Little Marcy - If I Could Talk With The Animals

Little Marcy - Oh, Miss Chicken

Little Marcy - Old MacDonald Had A Farm

Little Marcy - Never Smile At A Crocodile

Little Marcy - I Love Little Pussy

Little Marcy - Smokey The Bear

Ken Dodd

No apologies for uploading more Ken Dodd this time froma cassette I found a while back at a cheapo remaindered book chain. Taken from one of his old radio shows by the sound of it.

"Kenneth Arthur Dodd was born on 8th November 1927 in Knotty Ash, Liverpool.

Ken Dodd got his big break appearing at Nottingham Playhouse in 1954, going on to top the bill at Blackpool in 1958 from where his show was broadcast live the following year.

His career as a comedian really took off with the advent of television but his act still owed a lot to the traditional "stand-up", prevalent in the old Variety Theatre.

Not only a legendary comedian however, his musical career has been sensational, particularly in the 1960's when his singles, such as 'Happiness', 'Promises' and 'The River' topped the Charts and in 1965, 'Tears' sold over two million copies, earned Ken two gold discs and went straight into the Charts at no.1. 'Tears' is still one of the biggest-selling singles of all time!

Ken has not been short of Radio and Television appearances either. 'Doddy's Music Box', 'The Ken Dodd Show', 'Ken Dodd's World of Laughter' and of course, 'Ken Dodd and the Diddymen' as well as the highly acclaimed 'Audience With' shows have all got high ratings.

Ken is also an accomplished actor. He has starred in both 'Twelfth Night' and the 1996 movie epic 'Hamlet', as well as famously starring in 'Dr. Who and the Bannermen'.

He was awarded an OBEin 1982 and in 1991 was given the British Comedy Awards' highest accolade for his lifetime contribution to humour, a 'Lifetime Achievement Award'."

Psycho Serenade

A few strange records found on an LP called Psycho Serenade on the Beware label that came out in the 80's. Mostly trashy novelty songs and weird rock 'n' roll obscurities mixed in with old ads. and film trailers etc.

The sequence goes as follows-

1. Come With Me To The Casbah - Ganimian and his Orientals
2. Souie Baby Souie - Nanine
3. Cailifornia Hippy Murders - Red River Dave
4. Shake Your Tail Feather - The Five Du-Tones
5. The Riddler - The Riddler
6. Mad - The Social Outcasts

Bob Kerr's Whoopee Band (re-Up)

A short radio programme from a series Bob Kerr did for the BBC I imagine back in the 80's or 90's. This taken from a cassette someone sent me and it is sadly lacking in any info. Bob Kerr Is currently on tour with the re-formed Bonzo Dog Band.

"The WHOOPEE BAND have performed on stage and TV in most European countries, had their own 45 minute TV show in Germany, not to mention their very own TV series for London Weekend Television in the 70's, it was called "Making Whoopee". They have worked with many leading stars including Lionel Bart, Peter Cook & Dudley More and Max Wall. They have toured with Ralph McTell, Manhattan Transfer and many more.
Such is the bizarre nature of this outfit they not only play Theatres and Festivals all over Europe and beyond, they even played at the legendary BOB DYLAN concerts in Earls Court London in the late seventies and when Roger Daltrey of The Who got married they even played at his wedding. The WHOOPEE BAND have appeared in concert at the Philharmonic Hall in St. Petersburg, Russia and in Denmark with Dame Edna Everage ............in various concerts with Chris Barber, Kenny Ball, Lonnie Donegan and Acker Bilk plus many many more."

Discover more about the Whoopee Band HERE.

Another selection of songs here including Pasadena, Hard Hearted Hannah and Somebody Stole My Gal. In fact I think these may not be radio shows atall but television shows on London Weekend as mentioned in the website.

Roger Stevens

New song and animation from our poet friend Roger who used to be a Killer Rabbit and part of the Wrong Brothers amongst many others. He also plays keyboards in a band called Damn Right I've Got The Blues. Buy his books and music HERE and visit his poetry blog HERE.

Theo Blaise (Re-Up)

A great LP found at Brick Lane flea market back in the 80's. This record on the TBK label was released in 1982. Theo recorded in Paris but has since given up performing to study music I am reliably informed. No idea who the fabulous guitarist playing here is.

Wikipedia says -

"Soukous (also known as Lingala or Congo, and previously as African rumba) is a musical genre that originated in the two neighbouring countries of Belgian Congo and French Congo during the 1930s and early 1940s, and which has gained popularity throughout Africa. "Soukous" (said to be a derivative of the French word secouer, to shake[1]) was originally the name of a dance popular in the Congos in the late 1960s, and danced to an African version of rumba. Although the genre was initially known as rumba (sometimes termed specifically as African rumba), the term "soukous" has come to refer to African rumba and its subsequent developments.

Soukous is called Congo music in West Africa, and Lingala in Kenya, Uganda and Tanzania - referring to the Lingala language of the region from where it originated. In the 1980s and early 1990s, a fast-paced style of soukous known as kwassa kwassa – named after a popular dance, was popular. A style called ndombolo, also named after a dance, is currently popular."

More theo Blaise at SoMEtHIng FoR tHE WeeKEnd.

Columbia Novelty Orch./ Savoy Havana Band

Another 78 from the same batch this morning. I've realised I already have this on a CD called "The Wibbly Wobbly Walk" on the Saydisc label released in 1985.

The sleeve notes by Brian Rust say -

Columbia Novelty Orchestra: The Little Wooden Whistle Wouldn't Whistle - Here is another studio band, probably including Jules levy Jr. a brilliant cornetist like his father, but who died in his thirties not long after, and certainly featuring Billy Jones as vocalist; he was one of the Hapiness Boys, the most popular act on pioneer American radio. Recorded on March 8th, 1924, this is a curious mix of romantic and almost surrealistic.

Savoy Havana Band: Why Did I Kiss That Girl? A smash hit from the first part of 1924, recorded by the Havana Band after Bert Ralton took the original band to Australia. Ramon Newton, it's violinist-director, is also the singer.


Columbia Novelty Band - My Little Wooden Whistle Wouldn't Whistle

Savoy Havana Band - Why Did I Kiss That Girl?

Tom Foy

A 78 found today in a charity shop amongst some others- mostly classical.
I know little about Tom Foy . He reminds me of George Formby but without the ukulele - a sort of northern gormless comedian that was popular back then. Looking back we wonder why!

"Although famed as "The Yorkshire Lad", Mr. Foy was born in Manchester, of Irish parents. After
serving his apprenticeship as a sign writer, he set up in business in Halifax, training in his spare time
as an acrobat at nearby Shroggs Park. Tiring of sign writing he joined a travelling circus as a scenic
artist and clown, and made his first music-hall appearance in Manchester as a lightning cartoonist.
There followed work as a song and dance man, a black-faced comedian in a Wild West show, then as
an Irish comedian. It was Eugene Stratton who urged him to go to London, and arranged a trial turn at
the Oxford. He soon became established in the West End, presenting his broad Yorkshire comedy
sketches, including "Tom Foy and His Donkey" [which included a live donkey]. In pantomime he was a
popular dame, but his real panto' speciality was as "Idle Jack." Tom Foy collapsed while playing the
Argyle, Birkenhead on 23 July, 1917, and died a few weeks later at the age of 38."


Tom Foy - In Trouble Again

Tom Foy - Much Obliged To Me

Alfred Apaka

Found recently in a charity shop in Chester for a couple of quid. A double LP of his best songs for the Decca label - released after his death in 1960's. A bit too MOR for my taste but I was drawn to the "exotica" elements and particularly to the song "Princess Poo-Poo-Ly Has Plenty Of Papaya".

"Alfred Aloha Apaka (1919 -- 1960) was one of the influential performers in the history of Hawaii's popular music. Although he recorded for less than a decade, Apaka set the standards for modern Hawaiian music with his joyful, baritone vocals and highly entertaining performances. In his book, Hawaiian Music and Musicians, George Kanahele wrote that Apaka was "the possessor of one of the most remarkable voices to come out of Hawaii. A natural, untrained, voice, it was strong, masculine and agile.....a delicate instrument that could range from B flat to E in pianissimo." Apaka inherited his musical skills from his great aunt, Lydia Ahola, the daughter of Queen Lilioukalani. In an interview with The Honolulu Sun Bulletin, Apaka's son, Jeff, who also became an entertainer, said, "I like to think that Dad's musical training came in a direct line from the queen." During the '40s, Apaka performed with several orchestras including Don McDiamond's Royal Hawaiian Hotel house band and Ray Kenney's band in New York. Overheard by Bob Hope while singing at a luau in Honolulu, Apaka became a regular guest on Hope's radio and television shows. Although many predicted that he would become a successful mainstream vocalist, Apaka took a different route when he convinced multimillionaire Henry Kaiser to build a hotel, The Hawaiian Village, that included a showroom where he starred in his own extravagant revue. Apaka's energetic performances soon made the hotel an essential tourist attraction, and his popularity continued to grow. Plans for a nationally broadcast television special were finalized in February 1960. A few days later, however, Apaka suffered a fatal heart attack while playing hand ball."


Alfred Apaka - Ebb Tide

Alfred Apaka - You Are Beautiful

Alfred Apaka - Princess Poo-Poo-Ly Has Plenty Papaya

Shep's Banjo Boys

Slim pickings this week round the charity shops so just this LP from Shep's Banjo Boys on the Nevis label for a few pence. I guess it would be from the 60's or 70's judging by the cover. They are still going strong and based in Manchester - weddings, parties and cruise ships a speciality. Signed on the back by the band too and on two large photos of Happy Valley in Llandudno inside as a bonus!

There official website says-

"Howard Shep Shepherd is recognised as Britain’s foremost banjo player whose Manchester based Banjo Band Shep's Banjo Boys first became nationally recognised for their live musical spots on Granada TVs long running series “The Comedians”.

Since then, Shep's Banjo Boys have appeared at theatres and venues all over the UK and performed abroad.

During the 80’s Shep's regularly entertained QE2 passengers playing background reception music, welcome aboard acoustic music in addition to their cabaret spot.

Today, in addition to his band, Shep finds his Duo or Trio are very popular (see Shep's Rhythm Aces). Shep's Duo have regularly entertained passengers UK-wide on the Orient Express' Northern Belle train. They are ideal for store openings keeping customers entertained and cheerful, the same goes for wedding receptions, their music keeps everyone in a happy mood."

Discover more about Shep's Banjo Boys HERE.

Shep's Banjo Boys - Baby Face Medley

Shep's Banjo Boys - St. Louis Blues

Shep's Banjo Boys - I Had A Dream Dear Medley

Jimmy Edwards - (re-Up)

From an LP on the Spark label released in 1973. Jimmy edwards sings bawdy pub songs and plays his trombone accompanied by Ken Mackintosh and his band. Also on the record is special guest Joe "Mr. Piano" Henderson.

"Jimmy Edwards was a British radio and television comedy actor, best known as Pa Glum in Take It From Here and as the headmaster 'Professor' James Edwards in Whack-O.

Born James Keith O'Neill in Barnes, London, Edwards served in the Royal Air Force during World War II, winning the Distinguished Flying Cross. His Dakota was shot down at Arnhem in 1944, resulting in plastic surgery — he disguised it with the huge handlebar moustache that later became his trademark.

A feature of London theatre in the immediate post-War years, having previously performed in the Cambridge Footlights review, Edwards gained wider exposure as a radio performer, appearing in the long-running Take It From Here, where he developed the Glums alongside June Whitfield.

Graduatating to television, his appeared in shows such as the panel game Does the Team Think?, The Seven Faces of Jim, as well as guest slots in Make Room for Daddy and Sykes. Edwards also worked with Eric Sykes when he acted in the Sykes-penned short films The Plank (1967) (alongside Tommy Cooper) and Rhubarb (1969) (which also featured Harry Secombe).

He published his autobiography, Six of the Best, in 1984, as a follow up to the earlier Take it From Me. Amongst his outside interests were brass bands and the handlebar Club, in which all the members had such moustaches. During the 1970s he also came out as a homosexual."


Discover more about Jimmy Edwards HERE.

Jimmy Durante

I found this LP on Brunswick label today at the antiques centre in Frodsham for a quid. Too lazy to take a photo or scan the cover I have found one similar on the internet.
It has some nice tunes on it and makes me appreciate how good a pianist old "Schnozzle" was. They don't make 'em like this anymore which is a shame. Some old chestnuts including songs that Jimmy wrote himself.

Wikipedia says -

"Durante was born in Brooklyn, the third of four children born to Italian-Americans Mitch Durante (1855-1929) and Margaret (née Lentino) Durante (1858-1936). A product of working-class New York, Durante dropped out of school in the eighth grade to become a full-time ragtime pianist, working the city circuit and earning the nickname "Ragtime Jimmy," before he joined one of the first recognizable jazz bands in New York, the Original New Orleans Jazz Band. Durante was the only member of the group who did not hail from New Orleans. His routine of breaking into a song to deliver a joke, with band or orchestra chord punctuation after each line became a Durante trademark. In 1920, the group was renamed Jimmy Durante's Jazz Band.

Durante became a vaudeville star and radio attraction by the mid-1920s, with a music and comedy trio called Clayton, Jackson and Durante. Lou Clayton and Eddie Jackson, probably Durante's closest friends, often reunited with Durante professionally. Jackson and Durante appeared in the Cole Porter musical The New Yorkers which opened on Broadway on December 8, 1930.

By 1934, he had a major record hit, his own novelty composition Inka Dinka Doo and it became his theme song for practically the rest of his life. A year later, Durante starred on Broadway in the Billy Rose stage musical Jumbo, in which a police officer stopped him while leading a live elephant and asked him, "What are you doing with that elephant?" Durante's reply, "What elephant?", was a regular show-stopper. Durante also appeared on Broadway in Show Girl (1929), Strike Me Pink (1934), and Red, Hot and Blue (1936).

He began appearing in motion pictures at about the same time, beginning with a comedy series pairing him with silent film legend Buster Keaton and continuing with such offerings as The Wet Parade (1932), Broadway to Hollywood (1933), The Man Who Came to Dinner (1942, playing "Banjo", a character based on Harpo Marx), Ziegfeld Follies (1946), Billy Rose's Jumbo (1962, based on the 1935 musical) and It's a Mad, Mad, Mad, Mad World (1963)."

Discover more about Jimmy Durante HERE


Jimmy Durante - Start Off Each Day With A Song

Jimmy Durante - Mad Bird Melody

Jimmy Durante - I Want A Girl ( just like the girl that married dear old Dad )

Jimmy Durante - Inka Dinka Doo

Jimmy Durante - You Made Me Love You

Jimmy Durante - Carolina In The Morning

Victor Borge

I found this today in the British Heart Foundation shop in Chester for a little over a pound. Its a 10 inch LP on the Philips label from the mid 50's recorded in concert in Boston. I have a other records and CD by him so surprised I havent featured him before now on this blog. Certainly an aquired taste but very funny use of language especillay his "Phonetic Punctuation" which sadly is not included here. I will have to upload that some other time.

Wikipedia says -

"Borge was born Børge Rosenbaum in Copenhagen, Denmark, into a Jewish family. His parents, Bernhard and Frederikke Rosenbaum, were both musicians (his father was a violinist in the Royal Danish Chapel, and his mother played piano), Borge took up piano like his mother at the age of 3, and it was soon apparent that he was a prodigy. He gave his first piano recital when he was 8 years old, and in 1918 was awarded a full scholarship at the Royal Danish Academy of Music, studying under Olivo Krause. Later on, he was taught by Victor Schiøler, Liszt's student Frederic Lamond, and Busoni's pupil Egon Petri.

Borge played his first major concert in 1926 at the Danish concert-hall Odd Fellow Palæet (The Odd Fellow Mansion). After a few years as a classical concert pianist, he started his now famous "stand up" act, with the signature blend of piano music and jokes. He married American Elsie Chilton in 1933, the same year he debuted with his revue acts. Borge started touring extensively in Europe, where he began telling anti-Nazi jokes.

When the Nazis occupied Denmark during World War II, Borge was playing a concert in Sweden, and managed to escape to Finland. He traveled to America on the USS American Legion, the last neutral ship to make it out of Petsamo, Finland, and arrived August 28, 1940 with only 20 dollars, three of which went to the customs fee. Disguised as a sailor, Borge returned to Denmark once during the occupation to visit his dying mother.
Even though Borge didn't speak a word of English upon arrival, he quickly managed to adapt his jokes to the American audience, learning English by watching movies. He took the name of Victor Borge, and, in 1941, he started on Rudy Vallee's radio show, but was hired soon after by Bing Crosby for his Kraft Music Hall.

From then on, it went quickly for Borge, who won Best New Radio Performer of the Year in 1942. Soon after the award, he was offered film roles with stars such as Frank Sinatra (in Higher and Higher). While hosting The Victor Borge Show on NBC from 1946, he "developed many of his trademarks, including repeatedly announcing his intent to play a piece but getting "distracted" by something or other, making comments about the audience, or discussing the usefulness of Chopin's Minute Waltz as an eggtimer. Or he would start out with some well-known classical piece like Beethoven's "Moonlight Sonata" op. 27 and suddenly drift into a harmonically suitable pop or jazz tune like "Night and Day" (Cole Porter)."

Discover more about Victor Borge HERE.


Victor Borge - Side One

Victor Borge - Side Two

Tom Lehrer

A rather scratchy LP I bought today at Crewe flea market for a quid. This was recorded before an audience in 1965 in a San Franciscian night club. Based on songs he wrote for satirical TV show called "That Was The Week That Was" not to be confused by the Britsih show of the same name.

Here's what Wikipedia says about him-

"As an undergraduate student at Harvard University, he began to write comic songs to entertain his friends, including "Fight Fiercely, Harvard" (1945). Those songs later became (in a joking reference to a leading scientific journal) The Physical Revue. Influenced mainly by musical theater, his style consisted of parodying the then-current forms of popular song. For example, his appreciation of list songs led him to set the names of the chemical elements to the tune of Gilbert and Sullivan's "Major General's Song".
Inspired by the success of his performances of his songs, he paid for some studio time to record an album, Songs by Tom Lehrer, which he sold by mail order. Self-published and unpromoted, the album, which included the macabre ("I Hold Your Hand In Mine"), the mildly risqué ("Be Prepared"), and the mathematical ("Lobachevsky"), became a success via word of mouth. With a cult hit, he embarked on a series of concert tours and released a second album, which came in two versions: the songs were the same but More Songs by Tom Lehrer was studio-recorded, while An Evening Wasted with Tom Lehrer was recorded live in concert.
By the early 1960s Lehrer had retired from touring (which he intensely disliked) and was employed as the resident songwriter for the US edition of That Was The Week That Was (TW3), a satirical TV show. An increased proportion of his output became overtly political, or at least topical, on subjects such as pollution ("Pollution"), Vatican II ("The Vatican Rag"), race relations ("National Brotherhood Week"), American militarism ("Send the Marines") and nuclear proliferation ("Who's Next?" and "We Will All Go Together When We Go"). He also wrote a song which satirized the alleged amorality of Wernher von Braun. A selection of these songs was released in the album That Was The Year That Was."

Find out more about Tom Lehrer HERE.


Tom Lehrer - What Ever Happened To Hubert?

Tom Lehrer - New Math

Tom Lehrer - Alma

Tom Lehrer - Who's Next?

Tom Lehrer - The Vatican Rag

Charlie Higgins

Not much gleaned on the internet about Charlie Higgins who was popular during the 30's. Windyridge Records has a CD of his novelty songs available still but the ones here are from the 12 CD set called "Vintage British Comedy" on the Signature label which are excellent compilations and contain songs and sketches by artists such as Max Miller, Billy Bennett, Old Mother Riley and Charlie Chester to name but a few.


Charlie Higgins - I'm A Daddy At 63

Charlie Higgins - In The Waxworks Late Last Night

Charlie Higgins - Charlie's Breach Of Promise Case

Charlie Higgins - Charlie's Saxaphone

Charlie Higgins - Bumpety Bumpety Bump

Adge Cutler & The Wurzels

I found this today in a local charity shop for 75p. I have uploaded some tracks before by the Wurzels but they have long since dried up. So here is both sides of this LP on the EMI label from 1966/67 recorded "Live at the Royal Oak, Nailsea, Zummerzet".

"Born Alan John Cutler in Bristol in 1930, he spent his early life in the small town of Nailsea in Somerset, and one of his first jobs involved working for a local cider mill — but, influenced by Len Uke Thomas (a local Bristol comic singer and entertainer) and a stint on the road as Acker Bilk's road manager, he took to a career in music. Armed only with a few songs he had written, in June 1966 he approached agent John Miles, who helped put together the band the Wurzels with guitarist and banjo player Reg Quantrill, accordionist Reg Chant, double bass player John Macey, and Brian Murphy on the wurzelphone — in reality a tuba. One of the first songs they played live was Cutler's composition "Twice Daily" — about a shotgun wedding between a young farmhand and the farmer's daughter Lucy Bailey — which was later to be banned from radio play by the BBC owing to its risqué lyrical content.

Encouraged by the local sales in the West Country, EMI nationally released the single "Drink Up Thy Zider" backed with "Twice Daily" and saw it scrape into the bottom of the chart at number 45, quickly followed by the album Adge Culter & the Wurzels, mostly recorded at the Royal Oak pub in Nailsea and including both sides of the single as well as humorous songs "Champion Dung Spreader," "Hark at 'Ee Jacko," "The Mixer Man's Lament," and "When the Common Market Comes to Stanton Drew." The album climbed to number 38 in the LP charts. After this brief foray into the national charts, the band returned to performing live concerts locally in Somerset. Cutler was a lifelong supporter of the Bristol city football club, and one of his songs, "Morning Glory," was changed to "One for the Bristol City," which the team used to fire itself up before each game.

On the May 5, 1974, following a Wurzels concert, Adge Cutler overturned his car on a roundabout in Chepstow and died from his injuries. Following his death, the Wurzels continued as a trio, by then featuring a completely different lineup of Tommy Banner, Tony Baylis, and Pete Budd. Amazingly, they enjoyed a period of chart success in the long hot summer of 1976, including even the number one single "Combine Harvester (Brand New Key)," based on the Melanie hit with new lyrics written by Brendan O'Shaughnessy, and the Top Three single "I Am a Cider Drinker," based on a holiday hit from the previous year, "Una Paloma Blanca."

Discover more about Adge Cutler & the Wurzels HERE.


Adge Cutler - Side One

Adge Cutler - Side Two

George Formby

Two scratchy 78's I picked up at the boot sale today for 50p each. Not songs I've heard before I must admit . Wartime morale boosters but obviously didn't go down as well as he'd hoped - certainly not in the same class as some of his better known songs but interesting none the less.

"Musical comedian George Formby was among Britain's most popular stars during the first half of the 20th century, with a legacy encompassing over 200 records and more than 20 hit films. Born George Hoy Booth on May 26, 1904 in Lancashire, England, he was the son of George Formby, Sr., himself a popular Edwardian music hall comedian. The younger Formby first worked as an apprentice jockey, but his father's sudden death in 1921 prompted him to pursue his own career as a performer; he initially worked under his given name, but later adopted his father's nom-de-stage following his marriage to dancer Beryl Ingham, who soon took over the reins of her husband's career. Initially, Formby attempted to approximate his father's act, but with little success; the chance acquisition of a banjo ukelele proved the key to establishing his own stage persona, and in light of audiences' enthusiastic reactions to his idosyncratic, self-taught playing style, the instrument was never again far from his side.

With his toothy grin and goofy personality, Formby was dubbed "the beloved imbecile" by pundits; after earning a loyal following among music hall denizens, he scored a major pop hit with 1932's "Chinese Blues," which when renamed "Chinese Laundry Blues" became his signature song for the duration of his career. Two years later Formby made his first film, Boots! Boots!; the picture was a smash, and he swiftly contracted to make 11 more films for Ealing Studios. Over the course of movies like 1935's No Limit, 1937's Feather Your Nest and 1938's It's in the Air, he became Britain's biggest star, earning an estimated £100,000 a year; his films also continued to provide him with a wealth of saucy hit records, including "The Window Cleaner," "Fanlight Fanny," "Riding in the T.T. Races" and the Noel Gay-penned "Leaning on a Lamp Post," perhaps his most popular song."

Discover more about George Formby HERE.



George Formby - Our Fanny's Gone All Yankee

George Formby - Unconditional Surrender

George Formby - The "V" Sign Song

George Formby - The Old Cane Bottom Chair

Peter Sellers

I bought a couple of CD's yesterday in a charity shop. On the Signature label - part of a 15 CD set called "Vintage British Comedy". These tracks culled from Vol.9 and Vol. 10. Other artists include Frankie Howard, Will Hay, Arthur Askey, Max Miller etc.

"Sellers was born in Southsea, Hampshire to a family of entertainers. His parents nicknamed him Peter at an early age, after his elder stillborn brother. He attended the North London Roman Catholic school, St. Aloysius College, although his father, Yorkshire-born Bill Sellers (1900 - 1962), was Protestant and his mother, Agnes Doreen 'Peg' née Marks (1892 - 1967), was Jewish. His maternal grandmother, Benvenida Welcome Mendoza (1855 - 1932), was of Portuguese-Jewish descent; her grandfather, Mordecai Mendoza (1774 - 1851), was a first cousin of English prizefighter Daniel Mendoza (1764 - 1836). Sellers was also a cousin of Talksport radio presenter Mike Mendoza.

Accompanying his family on the variety show circuit, Sellers learned stagecraft which proved valuable later. He performed at five at the burlesque Windmill Theatre in the drama Splash Me!, which featured his mother.[citation needed] He was a versatile artist, excelling at dancing, drumming well enough to tour with jazz bands (his drumming is shown in a clip of The Steve Allen Show in 1964), and playing ukulele and banjo. In Parkinson, Sellers claimed his father had taught George Formby to play ukulele. Sellers played ukulele on the "New York Girls" track for Steeleye Span's 1975 album Commoner's Crown.

During World War II, Sellers was an airman in the Royal Air Force, rising to corporal, though he had been relegated to ground staff due to poor eyesight. His tour included India and Burma, although the duration of his stay in Asia is unknown and its length may have been exaggerated by Sellers himself. He also served in Germany and France after the war.

As a distraction from the life of a non-commissioned officer, Sellers joined the Entertainments National Service Association (ENSA), allowing him to hone his drumming and comedy. He occasionally impersonated his superiors, and his portrayal of RAF officer Lionel Mandrake in the film Dr. Strangelove may have been modelled on them. He bluffed his way into the Officers Club using mimicry and the occasional false moustache, although as he told Michael Parkinson in the 1972 interview, occasionally older officers would suspect him. The voice of Goon Show character Major Dennis Bloodnok came from this period."

Discover more about Peter Sellers HERE.


Peter Sellers - Jakka & The Flying Saucers Pt. 1

Peter Sellers - Jakka & The Flying Saucers Pt. 2

Peter Sellers - Never Never Land